She'll Do Me!

She'll Do Me!

$20.00 AUD

Availability: in stock at our Tullamarine warehouse

Condition: SECONDHAND

This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.

Author: Mark Vizzers; Emile Mercier (illus.)
Binding: Hardback
Published: The Jacaranda Press, Brisbane, 1960

Condition:
Book: Fair
Jacket: Chipped and worn with some minor damage
Pages: Tanning and foxing
Markings: No markings
Condition remarks: Glue remnants on fep otherwise no other markings.

She’ll Do Me! is a spirited example of mid-century Australian humour, pairing Mark Vizzers’ cheeky prose with Emile Mercier’s iconic cartoon illustrations to satirize suburban life, social pretensions, and the quirks of postwar masculinity. Vizzers presents a series of loosely connected vignettes that chronicle the escapades of a working-class everyman navigating romance, domestic mishaps, and cultural absurdities with irreverent charm. Mercier’s drawings amplify the comedic tone, punctuating the text with exaggerated expressions and visual gags that reflect the era’s populist sensibilities. The book captures the vernacular wit and ocker ethos of 1960s Australia, making it a collectible for enthusiasts of national satire, vintage cartooning, and small-press Australiana.

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Description

Author: Mark Vizzers; Emile Mercier (illus.)
Binding: Hardback
Published: The Jacaranda Press, Brisbane, 1960

Condition:
Book: Fair
Jacket: Chipped and worn with some minor damage
Pages: Tanning and foxing
Markings: No markings
Condition remarks: Glue remnants on fep otherwise no other markings.

She’ll Do Me! is a spirited example of mid-century Australian humour, pairing Mark Vizzers’ cheeky prose with Emile Mercier’s iconic cartoon illustrations to satirize suburban life, social pretensions, and the quirks of postwar masculinity. Vizzers presents a series of loosely connected vignettes that chronicle the escapades of a working-class everyman navigating romance, domestic mishaps, and cultural absurdities with irreverent charm. Mercier’s drawings amplify the comedic tone, punctuating the text with exaggerated expressions and visual gags that reflect the era’s populist sensibilities. The book captures the vernacular wit and ocker ethos of 1960s Australia, making it a collectible for enthusiasts of national satire, vintage cartooning, and small-press Australiana.