Maus (Two-Volume Set); My Father Bleeds History; And Here My Troubles Began

Maus (Two-Volume Set); My Father Bleeds History; And Here My Troubles Began

$40.00 AUD

Availability: in stock at our Tullamarine warehouse

Condition: SECONDHAND

This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.

Author: Art Spiegelman
Binding: Paperback
Published: Penguin , 1992

Condition:
Book: Very good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image

Art Spiegelman’s Maus two-volume set, My Father Bleeds History and And Here My Troubles Began, stands as a groundbreaking graphic memoir that redefines Holocaust literature. Presented in stark black-and-white panels, Spiegelman chronicles the survival of his father, Vladek, through Auschwitz while simultaneously illustrating their strained relationship in postwar America. The narrative juxtaposes past and present, using anthropomorphic imagery—Jews as mice, Nazis as cats—to underscore the dehumanization and trauma of genocide. Spiegelman argues that memory, guilt, and inherited pain shape both personal identity and historical understanding, refusing sentimentality in favor of brutal emotional clarity.

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Description

Author: Art Spiegelman
Binding: Paperback
Published: Penguin , 1992

Condition:
Book: Very good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image

Art Spiegelman’s Maus two-volume set, My Father Bleeds History and And Here My Troubles Began, stands as a groundbreaking graphic memoir that redefines Holocaust literature. Presented in stark black-and-white panels, Spiegelman chronicles the survival of his father, Vladek, through Auschwitz while simultaneously illustrating their strained relationship in postwar America. The narrative juxtaposes past and present, using anthropomorphic imagery—Jews as mice, Nazis as cats—to underscore the dehumanization and trauma of genocide. Spiegelman argues that memory, guilt, and inherited pain shape both personal identity and historical understanding, refusing sentimentality in favor of brutal emotional clarity.