Stanislavski: Creating a Role

Stanislavski: Creating a Role

$20.00 AUD

Availability: in stock at our Melbourne warehouse.

NB: This is a secondhand book in very good condition. See our FAQs for more information. Photo is of the actual book - please note wear and tear. A description of our secondhand books is not always available. Please contact us if you have a question about this title.

Author: Constantin Stanislavski (translated by Elizabeth Reynolds Hapgood)

Format: Softback

Remarks on Condition : Good, Dust Jacket: Clipped but in very good condition, In good condition, Previous owner's name to front endpaper


Stanislavski: Creating a Role is a book by Constantin Stanislavski, translated by Elizabeth Reynolds Hapgood and published by Geoffrey Bles in 1963. It is the third volume of Stanislavski's trilogy on his system of acting, following An Actor Prepares and Building a Character. The book focuses on how an actor can create a convincing character on stage, using techniques such as analysis, imagination, emotion memory, action, tempo-rhythm, subtext, and communication. The book has 271 pages and is based on Stanislavski's lectures and notes.
SKU: 4440000302548-SECONDHAND
Availability : In Stock Pre order Out of stock
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Description
NB: This is a secondhand book in very good condition. See our FAQs for more information. Photo is of the actual book - please note wear and tear. A description of our secondhand books is not always available. Please contact us if you have a question about this title.

Author: Constantin Stanislavski (translated by Elizabeth Reynolds Hapgood)

Format: Softback

Remarks on Condition : Good, Dust Jacket: Clipped but in very good condition, In good condition, Previous owner's name to front endpaper


Stanislavski: Creating a Role is a book by Constantin Stanislavski, translated by Elizabeth Reynolds Hapgood and published by Geoffrey Bles in 1963. It is the third volume of Stanislavski's trilogy on his system of acting, following An Actor Prepares and Building a Character. The book focuses on how an actor can create a convincing character on stage, using techniques such as analysis, imagination, emotion memory, action, tempo-rhythm, subtext, and communication. The book has 271 pages and is based on Stanislavski's lectures and notes.