George Eliot

George Eliot

$27.45 AUD $10.00 AUD

Availability: in stock at our Melbourne warehouse.




NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.

Author: Frederick R. Karl

Format: Paperback

Number of Pages: 768


George Eliot, author of "Middlemarch", Adam Bede", "Silas Marner", "Felix Holt" and "Mill on the Floss" was the greatest literary heroine of the 19th century. At the peak of her career she was one of the three most famous women in Victorian England. This book draws upon Eliot's previously unpublished letters to create a revised portrait of her both as a woman and as an artist. The author examines the Victorian contradictions she faced as an intellect, a sensitive individual and a plain woman, rejecting the view of previous biographers that she depended on men. Rather, he sees each of her unusual relationships - with Charles Bray, John Chapman, Herbert Spencer and finally with the married Lewes - as a form of absorption of their place in the masculine world that was denied to her directly.
Reviews

Customer Reviews

Be the first to write a review
0%
(0)
0%
(0)
0%
(0)
0%
(0)
0%
(0)
Description
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.

Author: Frederick R. Karl

Format: Paperback

Number of Pages: 768


George Eliot, author of "Middlemarch", Adam Bede", "Silas Marner", "Felix Holt" and "Mill on the Floss" was the greatest literary heroine of the 19th century. At the peak of her career she was one of the three most famous women in Victorian England. This book draws upon Eliot's previously unpublished letters to create a revised portrait of her both as a woman and as an artist. The author examines the Victorian contradictions she faced as an intellect, a sensitive individual and a plain woman, rejecting the view of previous biographers that she depended on men. Rather, he sees each of her unusual relationships - with Charles Bray, John Chapman, Herbert Spencer and finally with the married Lewes - as a form of absorption of their place in the masculine world that was denied to her directly.