On Murder, Mourning and Melancholia

On Murder, Mourning and Melancholia

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NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Sigmund Freud

Format: Paperback

Number of Pages: 288


One of fifteen new translations of Freud's key writings, under the general editorship of celebrated psychoanalyst Adam Phillips, this project reimagines one the modern era's greatest writers These works were written against a background of war and racism. Freud sought the sources of conflict in the deepest memories of humankind, finding clear continuities between our 'primitive' past and 'civilized' modernity. In Totem and Taboo he explores institutions of tribal life, tracing analogies between the rites of hunter-gatherers and the obsessions of urban-dwellers, while Mourning and Melancholia sees a similarly self-destructive savagery underlying individual life in the modern age, which issues at times in self-harm and suicide. And Freud's extraordinary letter to Einstein, Why War? - rejecting what he saw as the physicist's naive pacifism - sums up his unsparing view of history in a few profoundly pessimistic, yet grimly persuasive pages.
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Description
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Sigmund Freud

Format: Paperback

Number of Pages: 288


One of fifteen new translations of Freud's key writings, under the general editorship of celebrated psychoanalyst Adam Phillips, this project reimagines one the modern era's greatest writers These works were written against a background of war and racism. Freud sought the sources of conflict in the deepest memories of humankind, finding clear continuities between our 'primitive' past and 'civilized' modernity. In Totem and Taboo he explores institutions of tribal life, tracing analogies between the rites of hunter-gatherers and the obsessions of urban-dwellers, while Mourning and Melancholia sees a similarly self-destructive savagery underlying individual life in the modern age, which issues at times in self-harm and suicide. And Freud's extraordinary letter to Einstein, Why War? - rejecting what he saw as the physicist's naive pacifism - sums up his unsparing view of history in a few profoundly pessimistic, yet grimly persuasive pages.