Giotto's Father and the Family of Vasari's Lives
Condition: SECONDHAND
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Paul Barolsky
Format: Hardback
Number of Pages: 160
This study examines the extensive and deep theme of family in Vasari's "Lives" and explains its importance in the study of the image of the family in the 16th century. The world of the artist's workshop was closely tied to the artist's life. Artists were often trained by their fathers, and they sometimes married into the families of other artists. It is thus reasonable for Vasari to have viewed the community of artists as an extended family or brotherhood presided over by major partriarchal figures, for example, Giotto, Ghiberti and Raphael. Building on the view of Vasari's work as a highly wrought, complex work of fiction, Barolsky shows how the "Lives" is not just a series of biographies of artists but a sustained, detailed and highly fictionalized account of artists' families. In very nearly every biography, Vasari makes up stories of paternal blessing, of filial piety or prodigality, of noble and ignoble wives, of greedy, cruel or violent relatives - tales that tell us a great deal about Vasari's own family in particular and about Renaissance family relations in general. Barolsky's explanation of just how deeply ideas about family inform Vasari's "Lives" provides a more complex understanding of one of the most important sources for the comprehension of the Renaissance artist.
Author: Paul Barolsky
Format: Hardback
Number of Pages: 160
This study examines the extensive and deep theme of family in Vasari's "Lives" and explains its importance in the study of the image of the family in the 16th century. The world of the artist's workshop was closely tied to the artist's life. Artists were often trained by their fathers, and they sometimes married into the families of other artists. It is thus reasonable for Vasari to have viewed the community of artists as an extended family or brotherhood presided over by major partriarchal figures, for example, Giotto, Ghiberti and Raphael. Building on the view of Vasari's work as a highly wrought, complex work of fiction, Barolsky shows how the "Lives" is not just a series of biographies of artists but a sustained, detailed and highly fictionalized account of artists' families. In very nearly every biography, Vasari makes up stories of paternal blessing, of filial piety or prodigality, of noble and ignoble wives, of greedy, cruel or violent relatives - tales that tell us a great deal about Vasari's own family in particular and about Renaissance family relations in general. Barolsky's explanation of just how deeply ideas about family inform Vasari's "Lives" provides a more complex understanding of one of the most important sources for the comprehension of the Renaissance artist.
Description
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Paul Barolsky
Format: Hardback
Number of Pages: 160
This study examines the extensive and deep theme of family in Vasari's "Lives" and explains its importance in the study of the image of the family in the 16th century. The world of the artist's workshop was closely tied to the artist's life. Artists were often trained by their fathers, and they sometimes married into the families of other artists. It is thus reasonable for Vasari to have viewed the community of artists as an extended family or brotherhood presided over by major partriarchal figures, for example, Giotto, Ghiberti and Raphael. Building on the view of Vasari's work as a highly wrought, complex work of fiction, Barolsky shows how the "Lives" is not just a series of biographies of artists but a sustained, detailed and highly fictionalized account of artists' families. In very nearly every biography, Vasari makes up stories of paternal blessing, of filial piety or prodigality, of noble and ignoble wives, of greedy, cruel or violent relatives - tales that tell us a great deal about Vasari's own family in particular and about Renaissance family relations in general. Barolsky's explanation of just how deeply ideas about family inform Vasari's "Lives" provides a more complex understanding of one of the most important sources for the comprehension of the Renaissance artist.
Author: Paul Barolsky
Format: Hardback
Number of Pages: 160
This study examines the extensive and deep theme of family in Vasari's "Lives" and explains its importance in the study of the image of the family in the 16th century. The world of the artist's workshop was closely tied to the artist's life. Artists were often trained by their fathers, and they sometimes married into the families of other artists. It is thus reasonable for Vasari to have viewed the community of artists as an extended family or brotherhood presided over by major partriarchal figures, for example, Giotto, Ghiberti and Raphael. Building on the view of Vasari's work as a highly wrought, complex work of fiction, Barolsky shows how the "Lives" is not just a series of biographies of artists but a sustained, detailed and highly fictionalized account of artists' families. In very nearly every biography, Vasari makes up stories of paternal blessing, of filial piety or prodigality, of noble and ignoble wives, of greedy, cruel or violent relatives - tales that tell us a great deal about Vasari's own family in particular and about Renaissance family relations in general. Barolsky's explanation of just how deeply ideas about family inform Vasari's "Lives" provides a more complex understanding of one of the most important sources for the comprehension of the Renaissance artist.
Giotto's Father and the Family of Vasari's Lives
$15.00