Carlo Crivelli

Carlo Crivelli

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Carlo Crivelli (c. 1430 - 1495) is a painter whose individuality of style and mastery of powerful line have fascinated many, but whose life and art have remained enigmatic. This absorbing book, produced after much research in Venice and the Marches, the region of central Italy that Crivelli dominated artistically from 1468 until his death in 1495, examines his paintings in depth, tracing the fundamental influences of the Vivarini, of Squarcione and Mantegna, and later of Flemish art. It also identifies them as projections of a society that enclosed them in a strangely dramatic world, with its motley pattern of fiercely republican communes and feudal lordships, of refined humanism and simple popular devotion. The Marches were a stronghold of the Franciscans and of their extreme heretical wing the Fraticelli, and the book sets Crivelli's art within a religious world in which a profound faith was nourished by sainted friars and by visions and miracles. Ronald Lightbown, the eminent historian of Italian Renaissance art, has written a book that is the first to expose systematically the reasons that led to the choice by patrons of the saints figured in Crivelli's altarpieces; some of the

Author: Ronald William Lightbown
Format: Hardback, 558 pages, 255mm x 297mm, 3344 g
Published: 2004, Yale University Press, United States
Genre: Individual Artists / Art Monographs

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Description
Carlo Crivelli (c. 1430 - 1495) is a painter whose individuality of style and mastery of powerful line have fascinated many, but whose life and art have remained enigmatic. This absorbing book, produced after much research in Venice and the Marches, the region of central Italy that Crivelli dominated artistically from 1468 until his death in 1495, examines his paintings in depth, tracing the fundamental influences of the Vivarini, of Squarcione and Mantegna, and later of Flemish art. It also identifies them as projections of a society that enclosed them in a strangely dramatic world, with its motley pattern of fiercely republican communes and feudal lordships, of refined humanism and simple popular devotion. The Marches were a stronghold of the Franciscans and of their extreme heretical wing the Fraticelli, and the book sets Crivelli's art within a religious world in which a profound faith was nourished by sainted friars and by visions and miracles. Ronald Lightbown, the eminent historian of Italian Renaissance art, has written a book that is the first to expose systematically the reasons that led to the choice by patrons of the saints figured in Crivelli's altarpieces; some of the