The New Grove Book of Operas

The New Grove Book of Operas

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NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Stanley Sadie

Format: Hardback

Number of Pages: 758


Over 250 operas are described in this book, most of which have been performed in the major opera houses of the English-speaking world since the 1970s. A handful of additional works have been selected by Stanley Sadie - operas that lend themselves to CD recording or festival revival. The operas are listed in alphabetical order. In addition to a full synopsis of every plot, there is a cast list and a note of the singers in the original production, as well as information about the origins of the work and its literary and social background. Each contribution concludes with a brief comment on its place in operatic history. There is also a listing by composer, a glossary and indexes of the names of operatic characters and the first line of arias. The illustrations shows how opera has been staged from its beginnings to "deconstructed" productions.
Description
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Stanley Sadie

Format: Hardback

Number of Pages: 758


Over 250 operas are described in this book, most of which have been performed in the major opera houses of the English-speaking world since the 1970s. A handful of additional works have been selected by Stanley Sadie - operas that lend themselves to CD recording or festival revival. The operas are listed in alphabetical order. In addition to a full synopsis of every plot, there is a cast list and a note of the singers in the original production, as well as information about the origins of the work and its literary and social background. Each contribution concludes with a brief comment on its place in operatic history. There is also a listing by composer, a glossary and indexes of the names of operatic characters and the first line of arias. The illustrations shows how opera has been staged from its beginnings to "deconstructed" productions.
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