Central and Eastern European Art Since 1950
Author: Maja Fowkes
Format: Paperback, 150mm x 210mm, 480g, 232 pages
Published: Thames & Hudson Ltd, United Kingdom, 2020
In this path-breaking new history, Maja and Reuben Fowkes introduce outstanding artworks and major figures from across central and eastern Europe to reveal the movements, theories and styles that have shaped artistic practice since 1950. They emphasize the particularly rich and varied art scenes of Poland, Czechoslovakia, Hungary and Yugoslavia, extending their gaze at intervals to East Germany, Romania, the Baltic states and the rest of the Balkans.
While politics in the region have been marked by unstable geography and dramatic transitions, artists have forged a path of persistent experiment and innovation. This generously illustrated overview explores the richness of their singular contribution to recent art history. Tracing art-historical changes from the short-lived unison of the socialist realist period to the incredible diversity of art in the post-communist era, the authors examine the repercussions of political events on artistic life - notably the uprisings in Hungary and Czechoslovakia, the Solidarity movement in Poland, and the collapse of the communist bloc. But their primary interest is in the experimental art of the neo-avant-garde that resisted official agendas and engaged with global currents such as performance art, video, multimedia and net art.
Maja and Reuben Fowkes are curators and art historians with a focus on the theory and aesthetics of Eastern European art from the socialist era to the present. They are co-directors of the Translocal Institute for Contemporary Art, a research centre in Budapest that operates at the intersection between ecological thought and contemporary art.
Author: Maja Fowkes
Format: Paperback, 150mm x 210mm, 480g, 232 pages
Published: Thames & Hudson Ltd, United Kingdom, 2020
In this path-breaking new history, Maja and Reuben Fowkes introduce outstanding artworks and major figures from across central and eastern Europe to reveal the movements, theories and styles that have shaped artistic practice since 1950. They emphasize the particularly rich and varied art scenes of Poland, Czechoslovakia, Hungary and Yugoslavia, extending their gaze at intervals to East Germany, Romania, the Baltic states and the rest of the Balkans.
While politics in the region have been marked by unstable geography and dramatic transitions, artists have forged a path of persistent experiment and innovation. This generously illustrated overview explores the richness of their singular contribution to recent art history. Tracing art-historical changes from the short-lived unison of the socialist realist period to the incredible diversity of art in the post-communist era, the authors examine the repercussions of political events on artistic life - notably the uprisings in Hungary and Czechoslovakia, the Solidarity movement in Poland, and the collapse of the communist bloc. But their primary interest is in the experimental art of the neo-avant-garde that resisted official agendas and engaged with global currents such as performance art, video, multimedia and net art.
Maja and Reuben Fowkes are curators and art historians with a focus on the theory and aesthetics of Eastern European art from the socialist era to the present. They are co-directors of the Translocal Institute for Contemporary Art, a research centre in Budapest that operates at the intersection between ecological thought and contemporary art.