Thomas Mann: Eros and Literature

Thomas Mann: Eros and Literature

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A groundbreaking biography of one of the century's most important writers. A portrait of Thomas Mann's Germany, his work, his life, his exile and arrival in America - a life of suffering and courage, of great achievement, a life beset by political hostility from the right and the left, and by the torments of sexual frustration. We see Mann, the wunderkind, transforming the history of his family into Germany's first classic novel, Buddenbrooks...the competition between Thomas and his brother Heinrich, who became his greatest literary rival. We see Mann in turn-of-the-century Munich, always the hyperobservant outsider. And we come to understand his immense loneliness, a loneliness interrupted briefly by an affair with a young violinist, Paul Ehrenberg ("that central experience of my heart"), that was later dramatized in Doctor Faustus. We watch his unlikely courtship of the brilliant Katia Pringsheim, member of a wealthy assimilated Jewish family. We follow their life together during their fifty-year marriage and observe his complicated relations with his six children, particularly Klaus and Erika, who became the leading political and sexual radicals of their generation. Anthony Heilbut defines Mann's place in literary historyhis relation to his literary ancestors, particularly Goethe and Nietzsche, as well as his contemporaries Gide and Kafka, and to the American writers Whitman and Melville. He provides new social and psychological insights into the interplay of Mann's life with such works as Death in Venice, The Magic Mountain, Joseph and His Brothers, and The Confessions of Felix Krull. We watch Mann contend with the major intellectual and political crises of Europe after World War Ias he evolves politically from arch defender of Germany to leading antifascist. We discover a link between his humanist politics and his dreams of sexual emancipation. We see Mann alternately enthralled and horrified by popular culture. We follow his increasing identification wit

Author: Anthony Heilbut
Format: Paperback, 638 pages, 159mm x 235mm, 914 g
Published: 1997, University of California Press, United States
Genre: Life Sciences: General

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Description
A groundbreaking biography of one of the century's most important writers. A portrait of Thomas Mann's Germany, his work, his life, his exile and arrival in America - a life of suffering and courage, of great achievement, a life beset by political hostility from the right and the left, and by the torments of sexual frustration. We see Mann, the wunderkind, transforming the history of his family into Germany's first classic novel, Buddenbrooks...the competition between Thomas and his brother Heinrich, who became his greatest literary rival. We see Mann in turn-of-the-century Munich, always the hyperobservant outsider. And we come to understand his immense loneliness, a loneliness interrupted briefly by an affair with a young violinist, Paul Ehrenberg ("that central experience of my heart"), that was later dramatized in Doctor Faustus. We watch his unlikely courtship of the brilliant Katia Pringsheim, member of a wealthy assimilated Jewish family. We follow their life together during their fifty-year marriage and observe his complicated relations with his six children, particularly Klaus and Erika, who became the leading political and sexual radicals of their generation. Anthony Heilbut defines Mann's place in literary historyhis relation to his literary ancestors, particularly Goethe and Nietzsche, as well as his contemporaries Gide and Kafka, and to the American writers Whitman and Melville. He provides new social and psychological insights into the interplay of Mann's life with such works as Death in Venice, The Magic Mountain, Joseph and His Brothers, and The Confessions of Felix Krull. We watch Mann contend with the major intellectual and political crises of Europe after World War Ias he evolves politically from arch defender of Germany to leading antifascist. We discover a link between his humanist politics and his dreams of sexual emancipation. We see Mann alternately enthralled and horrified by popular culture. We follow his increasing identification wit