Writing in Hope and Fear: Literature as Politics in Postwar Australia
Condition: SECONDHAND
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: John McLaren (Victoria University of Technology, Melbourne)
Format: Paperback
Number of Pages: 256
For most of the postwar period, Australian literary debate was marked by the division between radical nationalists on the Left and cultural conservatives on the Right. John McLaren's broad cultural history traces the origins of these conflicts, discusses key literary works and major journals, and focuses on the individuals involved in various sagas and struggles. McLaren shows that writing became a form of politics itself, expressing either hope or fear about the revolution that was perceived to be imminent, as well as reflecting society more broadly. The work of politically committed writers is closely examined, as is the response to ostensibly unpolitical writers. McLaren also considers the new journalism and the work of younger poets. He shows that it was not until the changes brought by the 1960s and the Whitlam government that literature was truly freed from these constraints.
Author: John McLaren (Victoria University of Technology, Melbourne)
Format: Paperback
Number of Pages: 256
For most of the postwar period, Australian literary debate was marked by the division between radical nationalists on the Left and cultural conservatives on the Right. John McLaren's broad cultural history traces the origins of these conflicts, discusses key literary works and major journals, and focuses on the individuals involved in various sagas and struggles. McLaren shows that writing became a form of politics itself, expressing either hope or fear about the revolution that was perceived to be imminent, as well as reflecting society more broadly. The work of politically committed writers is closely examined, as is the response to ostensibly unpolitical writers. McLaren also considers the new journalism and the work of younger poets. He shows that it was not until the changes brought by the 1960s and the Whitlam government that literature was truly freed from these constraints.
Description
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: John McLaren (Victoria University of Technology, Melbourne)
Format: Paperback
Number of Pages: 256
For most of the postwar period, Australian literary debate was marked by the division between radical nationalists on the Left and cultural conservatives on the Right. John McLaren's broad cultural history traces the origins of these conflicts, discusses key literary works and major journals, and focuses on the individuals involved in various sagas and struggles. McLaren shows that writing became a form of politics itself, expressing either hope or fear about the revolution that was perceived to be imminent, as well as reflecting society more broadly. The work of politically committed writers is closely examined, as is the response to ostensibly unpolitical writers. McLaren also considers the new journalism and the work of younger poets. He shows that it was not until the changes brought by the 1960s and the Whitlam government that literature was truly freed from these constraints.
Author: John McLaren (Victoria University of Technology, Melbourne)
Format: Paperback
Number of Pages: 256
For most of the postwar period, Australian literary debate was marked by the division between radical nationalists on the Left and cultural conservatives on the Right. John McLaren's broad cultural history traces the origins of these conflicts, discusses key literary works and major journals, and focuses on the individuals involved in various sagas and struggles. McLaren shows that writing became a form of politics itself, expressing either hope or fear about the revolution that was perceived to be imminent, as well as reflecting society more broadly. The work of politically committed writers is closely examined, as is the response to ostensibly unpolitical writers. McLaren also considers the new journalism and the work of younger poets. He shows that it was not until the changes brought by the 1960s and the Whitlam government that literature was truly freed from these constraints.
Writing in Hope and Fear: Literature as Politics in Postwar Australia