The Colour of Film Noir
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Howard Birnstihl
Format: Paperback
Number of Pages: 364
Tom Raker flees any number of villains as they seek murder and mayhem. Part fact, part fiction, this novel is based on research into two quite separate phenomena. Over the last forty years Howard Birnstihl has discovered vulnerable age cycles within certain creative types, similar to those discussed by Gail Sheehy in her books Passages and Pathfinders. He has delved a lot deeper. Also, an avid film watcher, he slowly developed an awareness of a basic colour coding movie makers employ to which the general public is totally unaware. Over the years there has been hardly a word written on this subject. This colour coding has become entrenched in both mainstream movies as well as the majority of television dramas. It is about time the public was made aware. Included are details of the age cycle syndrome as well as 50 or so film reviews which illustrate the depth to which this colour code system is entrenched.
Author: Howard Birnstihl
Format: Paperback
Number of Pages: 364
Tom Raker flees any number of villains as they seek murder and mayhem. Part fact, part fiction, this novel is based on research into two quite separate phenomena. Over the last forty years Howard Birnstihl has discovered vulnerable age cycles within certain creative types, similar to those discussed by Gail Sheehy in her books Passages and Pathfinders. He has delved a lot deeper. Also, an avid film watcher, he slowly developed an awareness of a basic colour coding movie makers employ to which the general public is totally unaware. Over the years there has been hardly a word written on this subject. This colour coding has become entrenched in both mainstream movies as well as the majority of television dramas. It is about time the public was made aware. Included are details of the age cycle syndrome as well as 50 or so film reviews which illustrate the depth to which this colour code system is entrenched.
Description
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Howard Birnstihl
Format: Paperback
Number of Pages: 364
Tom Raker flees any number of villains as they seek murder and mayhem. Part fact, part fiction, this novel is based on research into two quite separate phenomena. Over the last forty years Howard Birnstihl has discovered vulnerable age cycles within certain creative types, similar to those discussed by Gail Sheehy in her books Passages and Pathfinders. He has delved a lot deeper. Also, an avid film watcher, he slowly developed an awareness of a basic colour coding movie makers employ to which the general public is totally unaware. Over the years there has been hardly a word written on this subject. This colour coding has become entrenched in both mainstream movies as well as the majority of television dramas. It is about time the public was made aware. Included are details of the age cycle syndrome as well as 50 or so film reviews which illustrate the depth to which this colour code system is entrenched.
Author: Howard Birnstihl
Format: Paperback
Number of Pages: 364
Tom Raker flees any number of villains as they seek murder and mayhem. Part fact, part fiction, this novel is based on research into two quite separate phenomena. Over the last forty years Howard Birnstihl has discovered vulnerable age cycles within certain creative types, similar to those discussed by Gail Sheehy in her books Passages and Pathfinders. He has delved a lot deeper. Also, an avid film watcher, he slowly developed an awareness of a basic colour coding movie makers employ to which the general public is totally unaware. Over the years there has been hardly a word written on this subject. This colour coding has become entrenched in both mainstream movies as well as the majority of television dramas. It is about time the public was made aware. Included are details of the age cycle syndrome as well as 50 or so film reviews which illustrate the depth to which this colour code system is entrenched.
The Colour of Film Noir