Blues for Cannibals: The Notes from Underground

Blues for Cannibals: The Notes from Underground

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NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.

Author: Charles Bowden

Format: Hardback

Number of Pages: 288


"Blues for Cannibals" continues the quest Bowden began in "Blood Orchid"-to discover the headwaters of the sickness that seeps through the American soul, and to consider what it might mean to come fully alive in a time of exalted consumption, global pillage, gated communities, and wholesale destruction of the environment. Down, down he leads us, in intoxicating, nearly hallucinogenic prose-past the Yaqui, the Anasazi, and other ghosts of our collective history, past the hookers, winos, and assorted have-nots outside the prosperous circle by the fire. We meet a prisoner obsessed with painting presidents, sex offenders whose desires are not as alien as we wish, a murderer whose execution does not cure what ails us. "I wound up looking at a world where cannibalism is life," Bowden writes, "and of course, given the diet, a life without a future." He mourns a young artist who couldn't find a reason to keep living and tends a mesquite tree that won't die. And down among its metaphoric roots, he reacquaints us with the appetites-fierce, flawed, human-that might save us too. "Blues for Cannibals" is scripture for an age when bushes no longer burn.
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Description
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.

Author: Charles Bowden

Format: Hardback

Number of Pages: 288


"Blues for Cannibals" continues the quest Bowden began in "Blood Orchid"-to discover the headwaters of the sickness that seeps through the American soul, and to consider what it might mean to come fully alive in a time of exalted consumption, global pillage, gated communities, and wholesale destruction of the environment. Down, down he leads us, in intoxicating, nearly hallucinogenic prose-past the Yaqui, the Anasazi, and other ghosts of our collective history, past the hookers, winos, and assorted have-nots outside the prosperous circle by the fire. We meet a prisoner obsessed with painting presidents, sex offenders whose desires are not as alien as we wish, a murderer whose execution does not cure what ails us. "I wound up looking at a world where cannibalism is life," Bowden writes, "and of course, given the diet, a life without a future." He mourns a young artist who couldn't find a reason to keep living and tends a mesquite tree that won't die. And down among its metaphoric roots, he reacquaints us with the appetites-fierce, flawed, human-that might save us too. "Blues for Cannibals" is scripture for an age when bushes no longer burn.