In the Company of Strangers

In the Company of Strangers

$10.00 AUD

Availability: in stock at our Melbourne warehouse.

NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Mary Meigs

Format: Paperback

Number of Pages: 176


Mary Meigs is one of the eight women who portray themselves in the film The Company of Strangers, a "semi-documentary" National Film Board production, released in 1990 to overwhelming critical and popular acclaim. Meigs spent two years writing this extraordinary narrative, which begins as her story of being in the film and unfolds into a gentle, intricate meditation on the experience of time, old age, magic and binding. Time becomes still and circular as the women's self-images and film images, their past and present, are bound inextricably with the filmmaker's vision.
Type: Paperback
SKU: 9780889222946-SECONDHAND
Availability : In Stock Pre order Out of stock
Reviews

Customer Reviews

Be the first to write a review
0%
(0)
0%
(0)
0%
(0)
0%
(0)
0%
(0)
Description
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Mary Meigs

Format: Paperback

Number of Pages: 176


Mary Meigs is one of the eight women who portray themselves in the film The Company of Strangers, a "semi-documentary" National Film Board production, released in 1990 to overwhelming critical and popular acclaim. Meigs spent two years writing this extraordinary narrative, which begins as her story of being in the film and unfolds into a gentle, intricate meditation on the experience of time, old age, magic and binding. Time becomes still and circular as the women's self-images and film images, their past and present, are bound inextricably with the filmmaker's vision.