Sophie Taeuber-Arp: Dada Head
Author: Anne Umland
Format: Paperback, 184mm x 229mm, 200g, 48 pages
Published: Museum of Modern Art, United States, 2019
A new title in MoMA's One on One series, focusing on Sophie Taeuber-Arp's Dada Head
Upon first encountering Sophie Taeuber-Arp's Dada Head (1920), one might wonder whether it is a sculptural bust, a hat stand, or a fetish object. Indicative of her pursuit to dissipate the conventional boundaries between the applied and fine arts that existed in pre-World War II Europe, the sculpture defies categorization. The artist referred to Dada Head as a self-portrait, but rather than communicating interest in a physical, naturalistic resemblance, it is a composite of elements of art and of the everyday that interested her. At the heart of the Zurich Dada movement, Taeuber-Arp was a dancer, designer, puppeteer, sculptor, painter and writer. Dada Head existed - and still exists - as an investigation into participation across boundaries rather than within them.
Anne Umland is a Curator in the Department of Painting and Sculpture at The Museum of Modern Art, New York
Author: Anne Umland
Format: Paperback, 184mm x 229mm, 200g, 48 pages
Published: Museum of Modern Art, United States, 2019
A new title in MoMA's One on One series, focusing on Sophie Taeuber-Arp's Dada Head
Upon first encountering Sophie Taeuber-Arp's Dada Head (1920), one might wonder whether it is a sculptural bust, a hat stand, or a fetish object. Indicative of her pursuit to dissipate the conventional boundaries between the applied and fine arts that existed in pre-World War II Europe, the sculpture defies categorization. The artist referred to Dada Head as a self-portrait, but rather than communicating interest in a physical, naturalistic resemblance, it is a composite of elements of art and of the everyday that interested her. At the heart of the Zurich Dada movement, Taeuber-Arp was a dancer, designer, puppeteer, sculptor, painter and writer. Dada Head existed - and still exists - as an investigation into participation across boundaries rather than within them.
Anne Umland is a Curator in the Department of Painting and Sculpture at The Museum of Modern Art, New York