Me and Earl and the Dying Girl

Me and Earl and the Dying Girl

$22.99 AUD $10.00 AUD

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NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.

Author: Jesse Andrews

Format: Paperback

Number of Pages: 304


NOW A MAJOR MOTION PICTURE Greg Gaines is the last master of high school espionage, able to disappear at will into any social environment. He has only one friend, Earl, and together they spend their time making movies, their own incomprehensible versions of Coppola and Herzog cult classics. Until Greg's mother forces him to rekindle his childhood friendship with Rachel. Rachel has been diagnosed with leukemia - cue extreme adolescent awkwardness - but a parental mandate has been issued and must be obeyed. When Rachel stops treatment, Greg and Earl decide the thing to do is to make a film for her, which turns into the Worst Film Ever Made and becomes a turning point in each of their lives. And all at once Greg must abandon invisibility and stand in the spotlight. 'A stonking read, wonderfully rude, filled with enough wit, verve and audacity to power at least twenty novels.' Phillip Gwynne, author of Deadly Unna? and Swerve
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Description
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.

Author: Jesse Andrews

Format: Paperback

Number of Pages: 304


NOW A MAJOR MOTION PICTURE Greg Gaines is the last master of high school espionage, able to disappear at will into any social environment. He has only one friend, Earl, and together they spend their time making movies, their own incomprehensible versions of Coppola and Herzog cult classics. Until Greg's mother forces him to rekindle his childhood friendship with Rachel. Rachel has been diagnosed with leukemia - cue extreme adolescent awkwardness - but a parental mandate has been issued and must be obeyed. When Rachel stops treatment, Greg and Earl decide the thing to do is to make a film for her, which turns into the Worst Film Ever Made and becomes a turning point in each of their lives. And all at once Greg must abandon invisibility and stand in the spotlight. 'A stonking read, wonderfully rude, filled with enough wit, verve and audacity to power at least twenty novels.' Phillip Gwynne, author of Deadly Unna? and Swerve