Renaissance Art in Venice: From Tradition to Individualism

Renaissance Art in Venice: From Tradition to Individualism

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Art and architecture have always been central to Venice but in the Renaissance period, between c.1440 and 1600, they reached a kind of apotheosis when many of the city's new buildings, sculpture and paintings took on distinctive and original qualities. The spread of Renaissance values provided leading artists such as Gentile and Giovanni Bellini, Giorgione, Palladio, Titian and Tintoretto with a licence for artistic invention. By adopting a chronological approach, with each chapter covering a successive twenty-five year period, and focusing attention on the artists, Tom Nichols presents a vivid, richly illustrated and easily navigable study of Venetian Renaissance art.

Tom Nichols is Reader in the History of Art and Head of Subject at the University of Glasgow. He has published widely on Venetian Renaissance art and is the author of Tintoretto: Tradition and Identity, Renaissance Art: A Beginner's Guide and Titian and the End of the Venetian Renaissance.

Author: Tom Nichols
Format: Hardback, 224 pages, 165mm x 240mm, 830 g
Published: 2016, Laurence King Publishing, United Kingdom
Genre: Fine Arts / Art History

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Description

Art and architecture have always been central to Venice but in the Renaissance period, between c.1440 and 1600, they reached a kind of apotheosis when many of the city's new buildings, sculpture and paintings took on distinctive and original qualities. The spread of Renaissance values provided leading artists such as Gentile and Giovanni Bellini, Giorgione, Palladio, Titian and Tintoretto with a licence for artistic invention. By adopting a chronological approach, with each chapter covering a successive twenty-five year period, and focusing attention on the artists, Tom Nichols presents a vivid, richly illustrated and easily navigable study of Venetian Renaissance art.

Tom Nichols is Reader in the History of Art and Head of Subject at the University of Glasgow. He has published widely on Venetian Renaissance art and is the author of Tintoretto: Tradition and Identity, Renaissance Art: A Beginner's Guide and Titian and the End of the Venetian Renaissance.