Barthes and the Empire of Signs

$10.95 AUD $8.00 AUD

Availability: in stock at our Tullamarine warehouse

Condition: SECONDHAND

This is a secondhand book. The jacket image is indicative only and does not represent the condition of this copy. For information about the condition of this book you can email us.

Barthes and the Empire of Signs follows him in exploring the nature of 'representation' itself. Is it possible to reconcile appearance and reality? Or imaginative recreation and fact? How do we understand the meaning of the world we experience around us? And, what does this imply about the reading and writing of culture and its 'empire of signs'? Barthes' fictive rendering of 'Japan' through its surface of signs marks a crucial shift in his work away from the Western obsession with meaning to questions regarding the social and historical contigency of signs. And, in turn, this move from linguistic semiology to culture as an 'empire of signs' has encouraged a broader critical inquiry into the fields of mass media and popular culture. This book is a welcome, concise introduction to the significance of Barthes' semiological theory in contemporary criticism.

Author: Peter Pericles Trifonas
Format: Paperback, 80 pages, 111mm x 178mm, 70 g
Published: 2001, Icon Books, United Kingdom
Genre: Literary Theory

Reviews

Customer Reviews

Be the first to write a review
0%
(0)
0%
(0)
0%
(0)
0%
(0)
0%
(0)
Description

Barthes and the Empire of Signs follows him in exploring the nature of 'representation' itself. Is it possible to reconcile appearance and reality? Or imaginative recreation and fact? How do we understand the meaning of the world we experience around us? And, what does this imply about the reading and writing of culture and its 'empire of signs'? Barthes' fictive rendering of 'Japan' through its surface of signs marks a crucial shift in his work away from the Western obsession with meaning to questions regarding the social and historical contigency of signs. And, in turn, this move from linguistic semiology to culture as an 'empire of signs' has encouraged a broader critical inquiry into the fields of mass media and popular culture. This book is a welcome, concise introduction to the significance of Barthes' semiological theory in contemporary criticism.