Owen Jones and the V&A: Ornament for a Modern Age

Owen Jones and the V&A: Ornament for a Modern Age

$96.99 AUD $60.00 AUD

Availability: in stock at our Tullamarine warehouse

Condition: SECONDHAND

This is a secondhand book. The jacket image is indicative only and does not represent the condition of this copy. For information about the condition of this book you can email us.

Owen Jones (1809-1874), a prolific architect, designer, illustrator and printer, was recognised during his lifetime as one of the most influential contemporary figures in art and design theory. This insightful book, the latest in the V&A Nineteenth-Century Series, explores his relationship with the South Kensington Museum (later the Victoria and Albert Museum), from its inauguration in the 1850s through to his death in 1874. With particular focus on the creation of his celebrated volume The Grammar of Ornament (1856), his decorative scheme for the museum's so-called 'Oriental Court' and the preparation of his lesser-known publication Examples of Chinese Ornament (1867), it offers a fascinating exploration of the identity of the early museum and its imperial context.

Author: Olivia Horsfall Turner
Format: Hardback, 160 pages, 228mm x 270mm
Published: 2023, Lund Humphries Publishers Ltd, United Kingdom
Genre: Fine Arts / Art History

Reviews

Customer Reviews

Be the first to write a review
0%
(0)
0%
(0)
0%
(0)
0%
(0)
0%
(0)
Description
Owen Jones (1809-1874), a prolific architect, designer, illustrator and printer, was recognised during his lifetime as one of the most influential contemporary figures in art and design theory. This insightful book, the latest in the V&A Nineteenth-Century Series, explores his relationship with the South Kensington Museum (later the Victoria and Albert Museum), from its inauguration in the 1850s through to his death in 1874. With particular focus on the creation of his celebrated volume The Grammar of Ornament (1856), his decorative scheme for the museum's so-called 'Oriental Court' and the preparation of his lesser-known publication Examples of Chinese Ornament (1867), it offers a fascinating exploration of the identity of the early museum and its imperial context.