Drift
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Brian Castro
Format: Paperback
Number of Pages: 248
'Brian Castro's fifth novel is perhaps his most complex and certainly his most political. Like all his work it is productively playful, punningly irreverent and deeply concerned with sex and death, fact and fiction, but also more seriously with the redemptive possibilities of art and the existential power of the novel - all in the context of Australia's contested history.' from the Introduction by Katharine England
Author: Brian Castro
Format: Paperback
Number of Pages: 248
'Brian Castro's fifth novel is perhaps his most complex and certainly his most political. Like all his work it is productively playful, punningly irreverent and deeply concerned with sex and death, fact and fiction, but also more seriously with the redemptive possibilities of art and the existential power of the novel - all in the context of Australia's contested history.' from the Introduction by Katharine England
Description
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Brian Castro
Format: Paperback
Number of Pages: 248
'Brian Castro's fifth novel is perhaps his most complex and certainly his most political. Like all his work it is productively playful, punningly irreverent and deeply concerned with sex and death, fact and fiction, but also more seriously with the redemptive possibilities of art and the existential power of the novel - all in the context of Australia's contested history.' from the Introduction by Katharine England
Author: Brian Castro
Format: Paperback
Number of Pages: 248
'Brian Castro's fifth novel is perhaps his most complex and certainly his most political. Like all his work it is productively playful, punningly irreverent and deeply concerned with sex and death, fact and fiction, but also more seriously with the redemptive possibilities of art and the existential power of the novel - all in the context of Australia's contested history.' from the Introduction by Katharine England
Drift