Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature

Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature

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An "extraordinarily brilliant" and "pleasurably naughty" (Andre Aciman) investigation into the Shakespeare authorship question, exploring how doubting that William Shakespeare wrote his plays became an act of blasphemy...and who the Bard might really be. The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard's biography is a "black hole," yet to publicly question the identity of the god of English literature is unacceptable, even (some say) "immoral." In Shakespeare Was a Woman and Other Heresies , journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo. Whisking you from London to Stratford-Upon-Avon to Washington, DC, she pulls back the curtain to show how the forces of nationalism and empire, religion and mythmaking, gender and class have shaped our admiration for Shakespeare across the centuries. As she considers the writers and thinkers-from Walt Whitman to Sigmund Freud to Supreme Court justices-who have grappled with the riddle of the plays' origins, she explores who may perhaps have been hiding behind his name. A forgotten woman? A disgraced aristocrat? A government spy? Hovering over the mystery are Shakespeare's plays themselves, with their love for mistaken identities, disguises, and things never quite being what they seem. As she interviews scholars and skeptics, Winkler's interest turns to the larger problem of historical truth-and of how human imperfections (bias, blindness, subjectivity) shape our construction of the past. History is a story, and the story we find may depend on the story we're looking for. "Lively" ( The Washington Post ), "fascinating" (Amanda Foreman), and "intrepid" (Stacy Schiff), Shakespeare Was a Woman and Other Heresies will forever change how you think of Shakespeare...and of how we as a society decide what's up for debate and what's just nonsense, just heresy.

Author: Elizabeth Winkler
Format: Hardback, 416 pages, 152mm x 229mm, 549 g
Published: 2023, Simon & Schuster, United States
Genre: Biography: Literary

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Brenton
An intelligent and insightful debunking of The Shakesprearean Myth

As a 30-year collector of books and articles on this subject, I was most entertained to find that this is not just another book pointing to the lack of substance in the myth of the insignificant Stratford businessman producing world-class literature. Amusingly, this tome shows the author's intelligent research into the evidence (which does not exist) and poses credible explanations as to why 'Stratfordians' adhere to the myth. Elizabeth Winkler has the determination and chutzpah of a top-class investigative journalist (with a Masters in English literature) who is willing and more than able to joust with the fossilized adherents to this cultural fraud. Her examination of the most popular alternative authors is forensic and telling. What's most important is that she maintains a justifiable and most humorous neutrality (which she describes by Keat's 'negative capability') in concluding that the jury is still out on 'who did it'.

Description

An "extraordinarily brilliant" and "pleasurably naughty" (Andre Aciman) investigation into the Shakespeare authorship question, exploring how doubting that William Shakespeare wrote his plays became an act of blasphemy...and who the Bard might really be. The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard's biography is a "black hole," yet to publicly question the identity of the god of English literature is unacceptable, even (some say) "immoral." In Shakespeare Was a Woman and Other Heresies , journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo. Whisking you from London to Stratford-Upon-Avon to Washington, DC, she pulls back the curtain to show how the forces of nationalism and empire, religion and mythmaking, gender and class have shaped our admiration for Shakespeare across the centuries. As she considers the writers and thinkers-from Walt Whitman to Sigmund Freud to Supreme Court justices-who have grappled with the riddle of the plays' origins, she explores who may perhaps have been hiding behind his name. A forgotten woman? A disgraced aristocrat? A government spy? Hovering over the mystery are Shakespeare's plays themselves, with their love for mistaken identities, disguises, and things never quite being what they seem. As she interviews scholars and skeptics, Winkler's interest turns to the larger problem of historical truth-and of how human imperfections (bias, blindness, subjectivity) shape our construction of the past. History is a story, and the story we find may depend on the story we're looking for. "Lively" ( The Washington Post ), "fascinating" (Amanda Foreman), and "intrepid" (Stacy Schiff), Shakespeare Was a Woman and Other Heresies will forever change how you think of Shakespeare...and of how we as a society decide what's up for debate and what's just nonsense, just heresy.