Helga Fanderl: Konstellationen Super 8 (Multilingual edition)
Author: Helga Fanderl
Format: Paperback, 210mm x 290mm, 920g, 240 pages
Published: Hatje Cantz, Germany, 2023
There is no post-production in Helga Fanderl's Super 8 works, her camera is hand-held, the - mostly threeminute long - films are shot in one take with the means of in-camera editing. The film artist's work is documented for the first time in this monograph, which she has thoroughly composed: With rich visual and textual material, the book provides an insight into the aesthetic specificity and complexity of her filmic work, conveying its origins and development, process and materiality, and form and poetic nature. Her films, varying programmes and site-specific projections evoke the permanence of the impermanent. Constellations of her own short texts as well as those of different authors; film images, photographs, documents and a catalogue raisonne represent and reflect the many facets of her work. The graphic design of the book alludes to their density and rhythms.
Texts by Helga Fanderl, Silke Schmickl, Sabine Macher, Isabelle Ribadeau Dumas, Ute Aurand, Thibaut Mosneron Dupin, Raphael Bassan, Robert Beavers, Nicole Brenez, Christine Noll Brinckmann, Bruno Montels, Antonie Bergmeier, Aaron Scott, Carine Doumit, Yves Jammet, Jeannette Munoz, Paulo Marin, Theo Deutinger, Clara Schulmann, Grassan Salhab, Vincent Broqua, Deke Dusinberre, Katharina Sykora, Els van Riel, Philipp Fleischmann, Philippe-Alain Michaud, Peter Kubelka, Bernhard Uske, Heide Schlupmann, Nia Perivolaropoulou, Madeleine Bernstorff, Karianne Fiorini
Author: Helga Fanderl
Format: Paperback, 210mm x 290mm, 920g, 240 pages
Published: Hatje Cantz, Germany, 2023
There is no post-production in Helga Fanderl's Super 8 works, her camera is hand-held, the - mostly threeminute long - films are shot in one take with the means of in-camera editing. The film artist's work is documented for the first time in this monograph, which she has thoroughly composed: With rich visual and textual material, the book provides an insight into the aesthetic specificity and complexity of her filmic work, conveying its origins and development, process and materiality, and form and poetic nature. Her films, varying programmes and site-specific projections evoke the permanence of the impermanent. Constellations of her own short texts as well as those of different authors; film images, photographs, documents and a catalogue raisonne represent and reflect the many facets of her work. The graphic design of the book alludes to their density and rhythms.
Texts by Helga Fanderl, Silke Schmickl, Sabine Macher, Isabelle Ribadeau Dumas, Ute Aurand, Thibaut Mosneron Dupin, Raphael Bassan, Robert Beavers, Nicole Brenez, Christine Noll Brinckmann, Bruno Montels, Antonie Bergmeier, Aaron Scott, Carine Doumit, Yves Jammet, Jeannette Munoz, Paulo Marin, Theo Deutinger, Clara Schulmann, Grassan Salhab, Vincent Broqua, Deke Dusinberre, Katharina Sykora, Els van Riel, Philipp Fleischmann, Philippe-Alain Michaud, Peter Kubelka, Bernhard Uske, Heide Schlupmann, Nia Perivolaropoulou, Madeleine Bernstorff, Karianne Fiorini