Nitsch: Spaces of Colour

Nitsch: Spaces of Colour

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Author: Klaus Albrecht Schroeder
Format: Hardback, 245mm x 285mm, 1520g, 230 pages
Published: Hirmer Verlag, Germany, 2019

Hermann Nitsch produced his first "poured" paintings around 1960. In this form of action painting, the artist is primarily concerned with the substance of the paint, which he investigates from one Painting Action to the next. This catalog illustrates the development of his painterly works from the early 1960s to the present day. The main focus of the content lies in the characteristics of the various work cycles. In addition to the first "splatter" paintings it shows floor "splatter" paintings from the Red Cycle (1995), works from the Six-Day Play (1989) or the yellow Resurrection Cycle (2002). While one colour dominates in the monochrome works, in others a real explosion of colours takes place. The paint is splattered or sprayed; it may be applied in liquid form or impasto. The artist may use a paintbrush or smear the paint with his hands. The focal point is the exploration of the state of the paint, which varies between liquid and solid.

Klaus Albrecht Schr der is an art historian and director of the Albertina Museum in Vienna. Elsy Lahner is curator of contemporary art at the Albertina.

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Description

Author: Klaus Albrecht Schroeder
Format: Hardback, 245mm x 285mm, 1520g, 230 pages
Published: Hirmer Verlag, Germany, 2019

Hermann Nitsch produced his first "poured" paintings around 1960. In this form of action painting, the artist is primarily concerned with the substance of the paint, which he investigates from one Painting Action to the next. This catalog illustrates the development of his painterly works from the early 1960s to the present day. The main focus of the content lies in the characteristics of the various work cycles. In addition to the first "splatter" paintings it shows floor "splatter" paintings from the Red Cycle (1995), works from the Six-Day Play (1989) or the yellow Resurrection Cycle (2002). While one colour dominates in the monochrome works, in others a real explosion of colours takes place. The paint is splattered or sprayed; it may be applied in liquid form or impasto. The artist may use a paintbrush or smear the paint with his hands. The focal point is the exploration of the state of the paint, which varies between liquid and solid.

Klaus Albrecht Schr der is an art historian and director of the Albertina Museum in Vienna. Elsy Lahner is curator of contemporary art at the Albertina.