Classic Art: An Introduction To The Italian Renaissance

Classic Art: An Introduction To The Italian Renaissance

$15.00 AUD

Availability: in stock at our Tullamarine warehouse

Condition: SECONDHAND

This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.

Author: Wölfflin
Binding: Paperback
Published: Phaidon Press, 1968

Condition:
Book: Good
Jacket: N/A
Pages: Yellowed
Markings: Reading copy with markings

This seminal work of art history presents a profound analysis of the Italian Renaissance, focusing on the High Renaissance masters such as Leonardo da Vinci, Michelangelo, and Raphael. Wölfflin meticulously compares and contrasts the stylistic differences between the Early and High Renaissance, establishing key concepts that define the period's artistic evolution. It is an essential text for students and enthusiasts of art history, offering a rigorous framework for understanding the visual language and aesthetic principles that shaped one of Western art's most celebrated eras. The book illuminates the transition from linear to painterly, from planar to recessional, and from closed to open form, providing timeless insights into the development of classical art.

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Description

Author: Wölfflin
Binding: Paperback
Published: Phaidon Press, 1968

Condition:
Book: Good
Jacket: N/A
Pages: Yellowed
Markings: Reading copy with markings

This seminal work of art history presents a profound analysis of the Italian Renaissance, focusing on the High Renaissance masters such as Leonardo da Vinci, Michelangelo, and Raphael. Wölfflin meticulously compares and contrasts the stylistic differences between the Early and High Renaissance, establishing key concepts that define the period's artistic evolution. It is an essential text for students and enthusiasts of art history, offering a rigorous framework for understanding the visual language and aesthetic principles that shaped one of Western art's most celebrated eras. The book illuminates the transition from linear to painterly, from planar to recessional, and from closed to open form, providing timeless insights into the development of classical art.