October: The First Decade

October: The First Decade

$40.00 AUD

Availability: in stock at our Tullamarine warehouse

Condition: SECONDHAND

This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.

Author: Annette Michelson, Rosalind Krauss, Douglas Crimp, And Joan Copjec
Binding: Paperback
Published: The MIT Press, 1988

Condition:
Book: Acceptable
Jacket: No dust jacket
Pages: Yellowed
Markings: Reading copy with markings
Condition remarks: Condition as shown in image

This seminal collection of essays chronicles the foundational years of a pivotal journal in contemporary art and critical theory. It presents incisive analyses of modernism, postmodernism, and the avant-garde, shaping discourse within the art world and academia. The volume uncovers the intellectual currents and debates that defined a transformative period in cultural thought. Through rigorous scholarship, it argues for new ways of understanding visual culture and its historical contexts. This essential work illustrates the enduring influence of its contributors on art history and critical practice.

Reviews

Customer Reviews

Be the first to write a review
0%
(0)
0%
(0)
0%
(0)
0%
(0)
0%
(0)
Description

Author: Annette Michelson, Rosalind Krauss, Douglas Crimp, And Joan Copjec
Binding: Paperback
Published: The MIT Press, 1988

Condition:
Book: Acceptable
Jacket: No dust jacket
Pages: Yellowed
Markings: Reading copy with markings
Condition remarks: Condition as shown in image

This seminal collection of essays chronicles the foundational years of a pivotal journal in contemporary art and critical theory. It presents incisive analyses of modernism, postmodernism, and the avant-garde, shaping discourse within the art world and academia. The volume uncovers the intellectual currents and debates that defined a transformative period in cultural thought. Through rigorous scholarship, it argues for new ways of understanding visual culture and its historical contexts. This essential work illustrates the enduring influence of its contributors on art history and critical practice.