John Wolseley: Land Marks II
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Author: Sasha Grishin
Binding: Paperback
Published: CRAFTSMAN HOUSE, 2006
Condition:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image, Creased corners.
John Wolseley: Land Marks II is a richly produced art monograph that presents Wolseley’s immersive engagement with the Australian landscape through painting, drawing, and mixed media. The book chronicles his journeys across remote regions, where he collaborates with nature itself—using wind, water, and fire to shape his compositions. Sasha Grishin provides incisive commentary that situates Wolseley’s work within environmental art and Romantic traditions, arguing that his practice illustrates a profound dialogue between human perception and ecological process. The volume instructs readers in the visual language of topography, geology, and botanical form, revealing how Wolseley’s art maps both physical terrain and spiritual connection.
Author: Sasha Grishin
Binding: Paperback
Published: CRAFTSMAN HOUSE, 2006
Condition:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image, Creased corners.
John Wolseley: Land Marks II is a richly produced art monograph that presents Wolseley’s immersive engagement with the Australian landscape through painting, drawing, and mixed media. The book chronicles his journeys across remote regions, where he collaborates with nature itself—using wind, water, and fire to shape his compositions. Sasha Grishin provides incisive commentary that situates Wolseley’s work within environmental art and Romantic traditions, arguing that his practice illustrates a profound dialogue between human perception and ecological process. The volume instructs readers in the visual language of topography, geology, and botanical form, revealing how Wolseley’s art maps both physical terrain and spiritual connection.