Imagination Inspiration Intuition
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Author: Joseph Beuys & Rudolf Steiner
Binding: Paperback
Published: Natl Gallery of Victoria, 2007
Condition:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
Joseph Beuys & Rudolf Steiner: Imagination, Inspiration, Intuition was published by the National Gallery of Victoria in 2008 to accompany a major exhibition that examined the intellectual and artistic connections between Beuys, a radical German conceptual artist, and Steiner, the Austrian philosopher and founder of anthroposophy. The catalogue presents a provocative dialogue between Beuys’ blackboard installation Directive Forces (Of a New Society) and Steiner’s chalk drawings, illustrating how both figures used visual media to express transformative social and spiritual ideas. With contributions from Allison Holland, Walter Kugler, and Shelley Sacks, the book offers critical essays, rare artwork reproductions, and historical context that appeal to collectors, academics, and institutions. Its scarcity—combined with its importance in documenting a unique intersection of art and philosophy.
Author: Joseph Beuys & Rudolf Steiner
Binding: Paperback
Published: Natl Gallery of Victoria, 2007
Condition:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
Joseph Beuys & Rudolf Steiner: Imagination, Inspiration, Intuition was published by the National Gallery of Victoria in 2008 to accompany a major exhibition that examined the intellectual and artistic connections between Beuys, a radical German conceptual artist, and Steiner, the Austrian philosopher and founder of anthroposophy. The catalogue presents a provocative dialogue between Beuys’ blackboard installation Directive Forces (Of a New Society) and Steiner’s chalk drawings, illustrating how both figures used visual media to express transformative social and spiritual ideas. With contributions from Allison Holland, Walter Kugler, and Shelley Sacks, the book offers critical essays, rare artwork reproductions, and historical context that appeal to collectors, academics, and institutions. Its scarcity—combined with its importance in documenting a unique intersection of art and philosophy.