Homeless Paintings Of The Renaissance
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Author: Bernard Berenson
Binding: Hardback
Published: Indiana University Press, 1970
Condition:
Book: Good
Jacket: Chipped and worn with some minor damage
Pages: Good
Markings: No markings
Condition remarks: wear and chipping of dust jacket; rubbing on cloth cover edges; some tanning to inside page edges
Bernard Berenson's Homeless Paintings Of The Renaissance presents a meticulous examination of significant artworks from the Renaissance era whose locations or ownership have become obscured over time. This scholarly work uncovers the intricate histories and potential fates of these masterpieces, offering profound insights into the challenges of art preservation and documentation. Berenson, a renowned authority, details the stylistic nuances and historical contexts that define these 'homeless' pieces, arguing for their continued importance in understanding the period's artistic output. The text illustrates the detective work involved in tracing artistic legacies, providing a compelling narrative for art enthusiasts and historians alike. It chronicles the journeys of these paintings, shedding light on their cultural significance and enduring mystery.
Author: Bernard Berenson
Binding: Hardback
Published: Indiana University Press, 1970
Condition:
Book: Good
Jacket: Chipped and worn with some minor damage
Pages: Good
Markings: No markings
Condition remarks: wear and chipping of dust jacket; rubbing on cloth cover edges; some tanning to inside page edges
Bernard Berenson's Homeless Paintings Of The Renaissance presents a meticulous examination of significant artworks from the Renaissance era whose locations or ownership have become obscured over time. This scholarly work uncovers the intricate histories and potential fates of these masterpieces, offering profound insights into the challenges of art preservation and documentation. Berenson, a renowned authority, details the stylistic nuances and historical contexts that define these 'homeless' pieces, arguing for their continued importance in understanding the period's artistic output. The text illustrates the detective work involved in tracing artistic legacies, providing a compelling narrative for art enthusiasts and historians alike. It chronicles the journeys of these paintings, shedding light on their cultural significance and enduring mystery.