Images In Opposition: Australian Landscape Painting 1801-1890
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Author: Tim Bonyhady
Binding: Hardback
Published: Oxford University Press, 1985
Condition:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good
Markings: Remainder mark
This scholarly work, Images In Opposition: Australian Landscape Painting 1801-1890, presents a compelling art historical analysis of a pivotal era in Australian visual culture. It chronicles the evolution of landscape painting across the nineteenth century, revealing the diverse artistic interpretations and ideological currents that shaped the genre. The author uncovers how artists engaged with the unique Australian environment, often reflecting societal attitudes and colonial perspectives through their brushstrokes. This insightful volume illustrates the complex interplay between art, nature, and national identity, offering a nuanced understanding of the period's artistic output. It argues for a re-evaluation of these foundational works, highlighting their enduring significance within the broader context of art history.
Author: Tim Bonyhady
Binding: Hardback
Published: Oxford University Press, 1985
Condition:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good
Markings: Remainder mark
This scholarly work, Images In Opposition: Australian Landscape Painting 1801-1890, presents a compelling art historical analysis of a pivotal era in Australian visual culture. It chronicles the evolution of landscape painting across the nineteenth century, revealing the diverse artistic interpretations and ideological currents that shaped the genre. The author uncovers how artists engaged with the unique Australian environment, often reflecting societal attitudes and colonial perspectives through their brushstrokes. This insightful volume illustrates the complex interplay between art, nature, and national identity, offering a nuanced understanding of the period's artistic output. It argues for a re-evaluation of these foundational works, highlighting their enduring significance within the broader context of art history.