Painting In Florence And Siena After The Black Death: The Arts Religion And Society In The Mid-Fourteenth Century
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Author: Millard Meiss
Binding: Paperback
Published: Harper Torchbooks., 1964
Condition:
Book: Good
Jacket: No dust jacket
Pages: Tanning and foxing
Markings: Previous owner
Condition remarks: Condition as shown in image
Millard Meiss's Painting In Florence And Siena After The Black Death: The Arts Religion And Society In The Mid-Fourteenth Century chronicles a pivotal era in art history, examining the profound transformations that swept through Italian artistic centers following the devastating plague. This scholarly work uncovers the intricate connections between the societal upheaval, religious fervor, and evolving artistic expressions in Florence and Siena during the mid-fourteenth century. It presents a compelling argument for how the Black Death reshaped patronage, iconography, and stylistic innovations, illustrating the resilience and adaptability of human creativity in the face of immense tragedy. The author details the shift in artistic sensibilities, providing a comprehensive analysis of painting that emerged from this period of profound change.
Author: Millard Meiss
Binding: Paperback
Published: Harper Torchbooks., 1964
Condition:
Book: Good
Jacket: No dust jacket
Pages: Tanning and foxing
Markings: Previous owner
Condition remarks: Condition as shown in image
Millard Meiss's Painting In Florence And Siena After The Black Death: The Arts Religion And Society In The Mid-Fourteenth Century chronicles a pivotal era in art history, examining the profound transformations that swept through Italian artistic centers following the devastating plague. This scholarly work uncovers the intricate connections between the societal upheaval, religious fervor, and evolving artistic expressions in Florence and Siena during the mid-fourteenth century. It presents a compelling argument for how the Black Death reshaped patronage, iconography, and stylistic innovations, illustrating the resilience and adaptability of human creativity in the face of immense tragedy. The author details the shift in artistic sensibilities, providing a comprehensive analysis of painting that emerged from this period of profound change.