Grotesques And Gargoyles: Paganism In The Medieval Church
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Author: Ronald Sheridan And Anne Ross
Binding: Hardback
Published: David & Charles: Newton Abbot, 1975
Condition:
Book: Good
Jacket: Wear and tear
Pages: Tanning and foxing
Markings: No markings
This compelling historical study, Grotesques And Gargoyles: Paganism In The Medieval Church, uncovers the surprising persistence of pre-Christian beliefs within the sacred architecture of the Middle Ages. It meticulously details how seemingly whimsical or monstrous carvings on cathedrals and churches often represented ancient pagan symbols and folklore. The work argues for a complex interplay between established Christian doctrine and the enduring influence of older spiritual traditions, illustrating how these figures served as both decorative elements and powerful cultural statements. Sheridan and Ross present a fascinating examination of these enigmatic sculptures, revealing their profound significance in understanding medieval religious syncretism. This authoritative volume offers a unique perspective on the visual language of faith and superstition during a pivotal era.
Author: Ronald Sheridan And Anne Ross
Binding: Hardback
Published: David & Charles: Newton Abbot, 1975
Condition:
Book: Good
Jacket: Wear and tear
Pages: Tanning and foxing
Markings: No markings
This compelling historical study, Grotesques And Gargoyles: Paganism In The Medieval Church, uncovers the surprising persistence of pre-Christian beliefs within the sacred architecture of the Middle Ages. It meticulously details how seemingly whimsical or monstrous carvings on cathedrals and churches often represented ancient pagan symbols and folklore. The work argues for a complex interplay between established Christian doctrine and the enduring influence of older spiritual traditions, illustrating how these figures served as both decorative elements and powerful cultural statements. Sheridan and Ross present a fascinating examination of these enigmatic sculptures, revealing their profound significance in understanding medieval religious syncretism. This authoritative volume offers a unique perspective on the visual language of faith and superstition during a pivotal era.