Two Sisters: A Memoir In The Form Of A Novel
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: Chipped and worn with some minor damage
Pages: Good
Markings: Previous owner
A dazzling hybrid of autobiography and fiction, Two Sisters: A Memoir in the Form of a Novel blurs the boundaries between lived experience and literary invention with characteristic Vidal wit and audacity. The narrative weaves together three distinct threads: a framing story in which the author-narrator reflects on his past, a Hollywood screenplay written by a fictional character named Eric Van Damm, and a journal kept by Vidal's real-life friend Anaïs Nin — all orbiting the central figures of two sisters, Helena and Erika, whose lives embody the twin poles of art and ambition. Vidal uses this intricate structure to meditate on desire, creativity, memory, and the nature of storytelling itself, illustrating how the line between truth and fabrication is always a matter of perspective. The tone is sharp, ironic, and deeply self-aware, presenting the reader with a work that is as much a philosophical provocation as it is a personal confession. Published in 1970, it stands as one of the more unconventional and intellectually daring works in Vidal's celebrated career, rewarding readers who relish literature that refuses easy categorization.
Author: Gore Vidal
Format: Hardback
Published: 1970, Little, Brown and Company
Genre: Modern fiction
Condition remarks:
Book: Good
Jacket: Chipped and worn with some minor damage
Pages: Good
Markings: Previous owner
A dazzling hybrid of autobiography and fiction, Two Sisters: A Memoir in the Form of a Novel blurs the boundaries between lived experience and literary invention with characteristic Vidal wit and audacity. The narrative weaves together three distinct threads: a framing story in which the author-narrator reflects on his past, a Hollywood screenplay written by a fictional character named Eric Van Damm, and a journal kept by Vidal's real-life friend Anaïs Nin — all orbiting the central figures of two sisters, Helena and Erika, whose lives embody the twin poles of art and ambition. Vidal uses this intricate structure to meditate on desire, creativity, memory, and the nature of storytelling itself, illustrating how the line between truth and fabrication is always a matter of perspective. The tone is sharp, ironic, and deeply self-aware, presenting the reader with a work that is as much a philosophical provocation as it is a personal confession. Published in 1970, it stands as one of the more unconventional and intellectually daring works in Vidal's celebrated career, rewarding readers who relish literature that refuses easy categorization.