Paul Scott: Images Of India
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Very good
Jacket: Very good
Pages: Good
Few novelists have captured the twilight of the British Raj with the unflinching moral complexity of Paul Scott, and Patrick Swinden's critical study stands as an essential guide to understanding why. Paul Scott: Images of India presents a rigorous and illuminating examination of Scott's major works — most notably The Raj Quartet — dissecting the ways in which the novelist constructed his vision of India on the eve of independence, a world riven by race, power, and the slow collapse of empire. Swinden argues with scholarly precision that Scott's India is not merely a historical backdrop but a living, breathing moral landscape, where the personal and the political are inextricably entangled. Writing with both analytical authority and genuine admiration for his subject, Swinden traces the recurring images, symbols, and structural patterns that give Scott's fiction its remarkable cohesion and emotional depth. For readers who have long been haunted by the world of Merrick and Daphne Manners, this study reopens the door to that world — and reveals just how much more there is to see.
Author: Patrick Swinden
Format: Hardback
Genre: Literary theory
Condition remarks:
Book: Very good
Jacket: Very good
Pages: Good
Few novelists have captured the twilight of the British Raj with the unflinching moral complexity of Paul Scott, and Patrick Swinden's critical study stands as an essential guide to understanding why. Paul Scott: Images of India presents a rigorous and illuminating examination of Scott's major works — most notably The Raj Quartet — dissecting the ways in which the novelist constructed his vision of India on the eve of independence, a world riven by race, power, and the slow collapse of empire. Swinden argues with scholarly precision that Scott's India is not merely a historical backdrop but a living, breathing moral landscape, where the personal and the political are inextricably entangled. Writing with both analytical authority and genuine admiration for his subject, Swinden traces the recurring images, symbols, and structural patterns that give Scott's fiction its remarkable cohesion and emotional depth. For readers who have long been haunted by the world of Merrick and Daphne Manners, this study reopens the door to that world — and reveals just how much more there is to see.