Crusader Figural Sculpture In The Holy Land: Twelfth Century Examples From Acre, Nazareth And Belvoir Castle
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: Wear and tear with damage
Pages: Good
In the sun-scorched cities of Acre, Nazareth, and the formidable fortress of Belvoir Castle, a remarkable artistic tradition flourished during the twelfth century — one that has long been overshadowed by the grand narratives of the Crusades themselves. Crusader Figural Sculpture in the Holy Land presents a rigorous and revelatory examination of the sculptural works produced by Crusader craftsmen in the Latin East, chronicling the unique visual language that emerged from the collision of Western Romanesque tradition and the rich artistic cultures of Byzantium and the Islamic world. Moshe Barasch conducts a meticulous formal analysis of surviving stone carvings, capitals, and relief sculptures, illustrating how these works served not merely as decoration, but as theological statements embedded in the contested sacred geography of the Holy Land. Barasch, a towering figure in the history of art and iconography, brings his characteristic scholarly precision and interpretive depth to bear on a corpus of monuments that are as historically fragile as they are artistically significant. The work argues convincingly that Crusader art constitutes a distinct and coherent stylistic phenomenon — not merely a provincial offshoot of European medieval art — and in doing so, fundamentally reshapes our understanding of cross-cultural artistic exchange in the medieval Mediterranean. For scholars of medieval art, religious history, and Near Eastern archaeology alike, this is an indispensable study that raises profound questions about identity, faith, and the enduring power of the carved image.
Author: Moshe Barasch
Format: Hardback
Published: 1971, Rutgers University Press
Genre: History of arts
Condition remarks:
Book: Good
Jacket: Wear and tear with damage
Pages: Good
In the sun-scorched cities of Acre, Nazareth, and the formidable fortress of Belvoir Castle, a remarkable artistic tradition flourished during the twelfth century — one that has long been overshadowed by the grand narratives of the Crusades themselves. Crusader Figural Sculpture in the Holy Land presents a rigorous and revelatory examination of the sculptural works produced by Crusader craftsmen in the Latin East, chronicling the unique visual language that emerged from the collision of Western Romanesque tradition and the rich artistic cultures of Byzantium and the Islamic world. Moshe Barasch conducts a meticulous formal analysis of surviving stone carvings, capitals, and relief sculptures, illustrating how these works served not merely as decoration, but as theological statements embedded in the contested sacred geography of the Holy Land. Barasch, a towering figure in the history of art and iconography, brings his characteristic scholarly precision and interpretive depth to bear on a corpus of monuments that are as historically fragile as they are artistically significant. The work argues convincingly that Crusader art constitutes a distinct and coherent stylistic phenomenon — not merely a provincial offshoot of European medieval art — and in doing so, fundamentally reshapes our understanding of cross-cultural artistic exchange in the medieval Mediterranean. For scholars of medieval art, religious history, and Near Eastern archaeology alike, this is an indispensable study that raises profound questions about identity, faith, and the enduring power of the carved image.