The Giants
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Edition: First UK Edition
Condition remarks:
Book: Very good
Jacket: Worn/faded, no tears
Pages: Good
Condition remarks: price clipped dj
In a world where consumerism reigns supreme and language itself becomes a weapon of control, The Giants plunges the reader into a vast, labyrinthine hypermarket — a cathedral of commerce in which two young drifters, Beaumont and Tranquille, find themselves ensnared by the relentless machinery of modern capitalism. J. M. G. Le Clézio's 1973 novel, translated with precision and elegance by Simon Watson Taylor, presents a dystopian urban landscape where advertising slogans, fluorescent lights, and the endless seduction of commodities conspire to erode human identity, reducing individuals to passive consumers stripped of agency and thought. A Nobel Prize-winning author of extraordinary range and moral vision, Le Clézio crafts a narrative that is less a conventional plot than a sustained poetic assault on the senses — an immersive, fragmented torrent of language that mirrors the very mechanisms of manipulation it condemns. The Giants stands as one of the most radical and prescient works of postmodern French literature, anticipating the hyper-saturated media landscapes of the digital age with an almost prophetic clarity. For readers willing to surrender to its disorienting rhythms, the novel poses a question as urgent today as it was then: in a world engineered to colonise desire, what remains of the self?
Author: J. M. G. Le Clézio
Format: Hardback
Published: 1975, Jonathan Cape
Genre: Modern fiction
Edition: First UK Edition
Condition remarks:
Book: Very good
Jacket: Worn/faded, no tears
Pages: Good
Condition remarks: price clipped dj
In a world where consumerism reigns supreme and language itself becomes a weapon of control, The Giants plunges the reader into a vast, labyrinthine hypermarket — a cathedral of commerce in which two young drifters, Beaumont and Tranquille, find themselves ensnared by the relentless machinery of modern capitalism. J. M. G. Le Clézio's 1973 novel, translated with precision and elegance by Simon Watson Taylor, presents a dystopian urban landscape where advertising slogans, fluorescent lights, and the endless seduction of commodities conspire to erode human identity, reducing individuals to passive consumers stripped of agency and thought. A Nobel Prize-winning author of extraordinary range and moral vision, Le Clézio crafts a narrative that is less a conventional plot than a sustained poetic assault on the senses — an immersive, fragmented torrent of language that mirrors the very mechanisms of manipulation it condemns. The Giants stands as one of the most radical and prescient works of postmodern French literature, anticipating the hyper-saturated media landscapes of the digital age with an almost prophetic clarity. For readers willing to surrender to its disorienting rhythms, the novel poses a question as urgent today as it was then: in a world engineered to colonise desire, what remains of the self?