Still Life
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Acceptable
Jacket: Worn/faded, no tears
Pages: Yellowed
Markings: Ex-library with usual markings
In the dazzling sequel to The Virgin in the Garden, A.S. Byatt's Still Life returns to the Potters — a complex, intellectually charged English family navigating the tensions of ambition, desire, and the transformative power of art in post-war Britain. Set against the backdrop of the 1950s, the novel chronicles the intertwined lives of Frederica, Stephanie, and their circles, weaving together the worlds of Cambridge academia, provincial domesticity, and the avant-garde London art scene in a narrative of breathtaking scope and precision. Byatt presents a world in which language and visual art are locked in a profound struggle to capture the raw reality of human experience, drawing on the works of Van Gogh as a recurring motif that illuminates her characters' inner lives. Byatt's prose is extraordinary in its intellectual density and sensory richness, arguing through her fiction that the representation of reality — whether on canvas or the page — is both the highest human aspiration and an ultimately unattainable ideal. A writer of formidable erudition, she masterfully blends realism with philosophical inquiry, creating a novel that is as much a meditation on art and perception as it is a gripping family saga. Still Life stands as a landmark of late twentieth-century British fiction, and leaves the reader questioning whether any art form can ever truly contain the messy, luminous complexity of a life fully lived.
Author: A.S. Byatt
Format: Hardback
Published: 1985, Chatto & Windus
Genre: Modern fiction
Condition remarks:
Book: Acceptable
Jacket: Worn/faded, no tears
Pages: Yellowed
Markings: Ex-library with usual markings
In the dazzling sequel to The Virgin in the Garden, A.S. Byatt's Still Life returns to the Potters — a complex, intellectually charged English family navigating the tensions of ambition, desire, and the transformative power of art in post-war Britain. Set against the backdrop of the 1950s, the novel chronicles the intertwined lives of Frederica, Stephanie, and their circles, weaving together the worlds of Cambridge academia, provincial domesticity, and the avant-garde London art scene in a narrative of breathtaking scope and precision. Byatt presents a world in which language and visual art are locked in a profound struggle to capture the raw reality of human experience, drawing on the works of Van Gogh as a recurring motif that illuminates her characters' inner lives. Byatt's prose is extraordinary in its intellectual density and sensory richness, arguing through her fiction that the representation of reality — whether on canvas or the page — is both the highest human aspiration and an ultimately unattainable ideal. A writer of formidable erudition, she masterfully blends realism with philosophical inquiry, creating a novel that is as much a meditation on art and perception as it is a gripping family saga. Still Life stands as a landmark of late twentieth-century British fiction, and leaves the reader questioning whether any art form can ever truly contain the messy, luminous complexity of a life fully lived.