painters and public life
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
A landmark work of art history, Painters and Public Life in Eighteenth-Century Paris argues that the rise of the public art exhibition — most notably the Salon — fundamentally transformed the relationship between artists, their patrons, and an emerging bourgeois audience in pre-Revolutionary France. Thomas E. Crow chronicles how painters navigated the competing demands of royal academicism and a newly empowered public sphere, illustrating the ways in which critical taste and social politics became inseparable forces in the production of art. With rigorous scholarship and a compelling narrative voice, the work details the institutional structures of the Académie Royale and uncovers the often contentious debates that shaped artistic reputation and cultural authority. Crow presents the Salon not merely as a venue for display, but as a crucible of modernity, where the tensions between tradition and innovation played out before an increasingly vocal and opinionated crowd. This essential text remains a cornerstone of eighteenth-century French art history, indispensable for students and scholars alike.
Author: Thomas E. Crow
Format: Paperback
Published: 1986, Yale University Press
Genre: History of arts
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
A landmark work of art history, Painters and Public Life in Eighteenth-Century Paris argues that the rise of the public art exhibition — most notably the Salon — fundamentally transformed the relationship between artists, their patrons, and an emerging bourgeois audience in pre-Revolutionary France. Thomas E. Crow chronicles how painters navigated the competing demands of royal academicism and a newly empowered public sphere, illustrating the ways in which critical taste and social politics became inseparable forces in the production of art. With rigorous scholarship and a compelling narrative voice, the work details the institutional structures of the Académie Royale and uncovers the often contentious debates that shaped artistic reputation and cultural authority. Crow presents the Salon not merely as a venue for display, but as a crucible of modernity, where the tensions between tradition and innovation played out before an increasingly vocal and opinionated crowd. This essential text remains a cornerstone of eighteenth-century French art history, indispensable for students and scholars alike.