Early Medieval Art: Carolingian · Ottonian · Romanesque
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good
Markings: No markings
A landmark work in art history, Early Medieval Art: Carolingian · Ottonian · Romanesque presents a sweeping and authoritative survey of Western European visual culture from the reign of Charlemagne through the height of the Romanesque period. John Beckwith chronicles the remarkable artistic achievements of these formative centuries, examining manuscript illumination, ivory carving, metalwork, sculpture, and architecture as expressions of a deeply Christian civilization reshaping itself after the fall of Rome. Written with scholarly precision yet accessible clarity, the text illustrates how each successive dynasty — Carolingian, Ottonian, and Romanesque — built upon and transformed earlier traditions to produce works of enduring spiritual and aesthetic power. Beckwith argues that these centuries, often dismissed as a dark age, were in fact a period of extraordinary creative vitality, producing monuments that laid the very foundations of the Western artistic tradition. This essential reference remains indispensable for students, scholars, and enthusiasts seeking a rigorous and richly detailed understanding of medieval art.
Author: John Beckwith
Format: Hardback
Published: 1964, Thames and Hudson
Genre: History of arts
Condition remarks:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good
Markings: No markings
A landmark work in art history, Early Medieval Art: Carolingian · Ottonian · Romanesque presents a sweeping and authoritative survey of Western European visual culture from the reign of Charlemagne through the height of the Romanesque period. John Beckwith chronicles the remarkable artistic achievements of these formative centuries, examining manuscript illumination, ivory carving, metalwork, sculpture, and architecture as expressions of a deeply Christian civilization reshaping itself after the fall of Rome. Written with scholarly precision yet accessible clarity, the text illustrates how each successive dynasty — Carolingian, Ottonian, and Romanesque — built upon and transformed earlier traditions to produce works of enduring spiritual and aesthetic power. Beckwith argues that these centuries, often dismissed as a dark age, were in fact a period of extraordinary creative vitality, producing monuments that laid the very foundations of the Western artistic tradition. This essential reference remains indispensable for students, scholars, and enthusiasts seeking a rigorous and richly detailed understanding of medieval art.