Adepts In Self-Portraiture: Casanova, Stendhal, Tolstoy
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Fair
Jacket: N/A
Pages: Good
Markings: Previous owner
A masterwork of literary criticism and psychological biography, Stefan Zweig's Adepts in Self-Portraiture: Casanova, Stendhal, Tolstoy examines three towering figures of autobiographical writing, arguing that each man's self-portrait reveals as much about the art of confession as it does about the confessor himself. With characteristic elegance and penetrating insight, Zweig illustrates how Casanova's memoirs embody a shameless, sensual celebration of life, how Stendhal's introspective writings uncover a man perpetually at war with his own ego, and how Tolstoy's moral confessions chronicle a soul tormented by the gap between spiritual ideal and human frailty. Zweig presents each subject not merely as a writer but as an artist of the self, whose compulsion to record their own lives transforms autobiography into a form of high literary art. Written with the warmth and psychological acuity that define Zweig's best work, the essays carry a tone that is both intimate and authoritative, drawing readers into a rich meditation on vanity, truth, and the human need for self-understanding.
Author: Stefan Zweig
Format: Hardback
Genre: Biography
Condition remarks:
Book: Fair
Jacket: N/A
Pages: Good
Markings: Previous owner
A masterwork of literary criticism and psychological biography, Stefan Zweig's Adepts in Self-Portraiture: Casanova, Stendhal, Tolstoy examines three towering figures of autobiographical writing, arguing that each man's self-portrait reveals as much about the art of confession as it does about the confessor himself. With characteristic elegance and penetrating insight, Zweig illustrates how Casanova's memoirs embody a shameless, sensual celebration of life, how Stendhal's introspective writings uncover a man perpetually at war with his own ego, and how Tolstoy's moral confessions chronicle a soul tormented by the gap between spiritual ideal and human frailty. Zweig presents each subject not merely as a writer but as an artist of the self, whose compulsion to record their own lives transforms autobiography into a form of high literary art. Written with the warmth and psychological acuity that define Zweig's best work, the essays carry a tone that is both intimate and authoritative, drawing readers into a rich meditation on vanity, truth, and the human need for self-understanding.