Form In Literature: A Theory Of Technique And Construction
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Condition: Good. Jacket: No dust jacket - cloth/board in good condition. Page Condition: Yellowed/tanning consistent with age. Markings: No visible markings. Binding condition: Binding appears intact and firm. No stickers or labels visible.
A cornerstone work in literary criticism, Form in Literature: A Theory of Technique and Construction presents a rigorous and systematic examination of the structural principles that underpin great writing. Harold Weston argues that form is not merely an aesthetic concern but the very foundation upon which effective literary expression is built, guiding readers through the mechanics of narrative construction, style, and technique. With a preface by celebrated playwright and poet John Drinkwater, the text carries the weight of serious literary endorsement and situates itself firmly within the tradition of early twentieth-century formalist criticism. Weston instructs writers and scholars alike on how conscious mastery of literary form separates competent prose from enduring art, making this an invaluable reference for students, academics, and practising authors.
Author: Harold Weston
Format: Hardback
Published: 1970, Folcroft Library Editions
Genre: Literary theory
Condition remarks:
Condition: Good. Jacket: No dust jacket - cloth/board in good condition. Page Condition: Yellowed/tanning consistent with age. Markings: No visible markings. Binding condition: Binding appears intact and firm. No stickers or labels visible.
A cornerstone work in literary criticism, Form in Literature: A Theory of Technique and Construction presents a rigorous and systematic examination of the structural principles that underpin great writing. Harold Weston argues that form is not merely an aesthetic concern but the very foundation upon which effective literary expression is built, guiding readers through the mechanics of narrative construction, style, and technique. With a preface by celebrated playwright and poet John Drinkwater, the text carries the weight of serious literary endorsement and situates itself firmly within the tradition of early twentieth-century formalist criticism. Weston instructs writers and scholars alike on how conscious mastery of literary form separates competent prose from enduring art, making this an invaluable reference for students, academics, and practising authors.