Henry Handel Richardson: Some Personal Impressions
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Condition: Good/fair. No dust jacket — boards in good condition. Pages show age-related yellowing/tanning. No visible markings or stamps noted. Binding appears intact.
A compelling biographical anthology, Henry Handel Richardson: Some Personal Impressions presents a collection of intimate recollections and critical reflections on one of Australia's most celebrated novelists, best known for her sweeping trilogy The Fortunes of Richard Mahony. Edited by Edna Purdie and Olga M. Roncoroni, the volume gathers voices from those who knew Richardson personally, offering rare insight into the private woman behind the pseudonym adopted by Ethel Florence Lindesay Richardson. The tone is scholarly yet warmly personal, bridging the gap between literary criticism and memoir in a way that illuminates Richardson's creative process and formidable intellect. Together, these impressions paint a nuanced portrait of a writer whose work profoundly shaped Australian literary identity, even as she spent much of her life abroad in Europe.
Author: Edna Purdie And Olga M. Roncoroni
Format: Hardback
Genre: Biography
Condition remarks:
Condition: Good/fair. No dust jacket — boards in good condition. Pages show age-related yellowing/tanning. No visible markings or stamps noted. Binding appears intact.
A compelling biographical anthology, Henry Handel Richardson: Some Personal Impressions presents a collection of intimate recollections and critical reflections on one of Australia's most celebrated novelists, best known for her sweeping trilogy The Fortunes of Richard Mahony. Edited by Edna Purdie and Olga M. Roncoroni, the volume gathers voices from those who knew Richardson personally, offering rare insight into the private woman behind the pseudonym adopted by Ethel Florence Lindesay Richardson. The tone is scholarly yet warmly personal, bridging the gap between literary criticism and memoir in a way that illuminates Richardson's creative process and formidable intellect. Together, these impressions paint a nuanced portrait of a writer whose work profoundly shaped Australian literary identity, even as she spent much of her life abroad in Europe.