The Gothic Image: Religious Art In France Of The Thirteenth Century
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Condition: Good. Jacket: No dust jacket - paperback. Page Condition: Good. Markings: No visible markings. Binding: Intact. No stickers or labels visible.
A cornerstone of art historical scholarship, The Gothic Image presents a magisterial survey of religious iconography in thirteenth-century France, arguing that the great Gothic cathedrals and their sculptural programs constitute a vast theological encyclopedia rendered in stone and glass. Emile Mâle, one of the foremost authorities on medieval Christian art, meticulously decodes the symbolic language of figures, scenes, and narratives that adorned these monumental structures, illustrating how every image was deliberately chosen to communicate doctrine and scripture to the faithful. The work chronicles the intricate relationship between theology, philosophy, and visual culture in the High Middle Ages, drawing on an encyclopedic range of primary sources including the Speculum of Vincent of Beauvais. Translated by Dora Nussey, this English edition makes Mâle's authoritative scholarship accessible to a broad audience of historians, art lovers, and students of medieval culture alike. Its enduring influence cements its status as an essential reference for anyone seeking to understand the profound spiritual ambitions embedded in Gothic art and architecture.
Author: Emile Mâle
Format: Paperback
Published: 1958, Harper & Row Publishers (Icon Editions)
Genre: History of arts
Condition remarks:
Condition: Good. Jacket: No dust jacket - paperback. Page Condition: Good. Markings: No visible markings. Binding: Intact. No stickers or labels visible.
A cornerstone of art historical scholarship, The Gothic Image presents a magisterial survey of religious iconography in thirteenth-century France, arguing that the great Gothic cathedrals and their sculptural programs constitute a vast theological encyclopedia rendered in stone and glass. Emile Mâle, one of the foremost authorities on medieval Christian art, meticulously decodes the symbolic language of figures, scenes, and narratives that adorned these monumental structures, illustrating how every image was deliberately chosen to communicate doctrine and scripture to the faithful. The work chronicles the intricate relationship between theology, philosophy, and visual culture in the High Middle Ages, drawing on an encyclopedic range of primary sources including the Speculum of Vincent of Beauvais. Translated by Dora Nussey, this English edition makes Mâle's authoritative scholarship accessible to a broad audience of historians, art lovers, and students of medieval culture alike. Its enduring influence cements its status as an essential reference for anyone seeking to understand the profound spiritual ambitions embedded in Gothic art and architecture.