Memoires Interieurs
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Condition: Good to fair. Jacket: good, worn/faded (refer to image). Page Condition: Good - possible tanning. Markings: possible previous owner inscription.
In Memoires Interieurs, Nobel Prize-winning French author François Mauriac crafts an intimate and deeply personal meditation on the books, music, and art that shaped his inner life — a literary self-portrait drawn not from autobiography, but from the works he loved. Rather than chronicling external events, Mauriac uncovers the spiritual and intellectual contours of his soul through reflections on Pascal, Racine, Baudelaire, and other towering figures of French culture, presenting a mosaic of a deeply Catholic sensibility grappling with beauty, faith, and mortality. Translated into English by Gerard Hopkins and published by London's distinguished Eyre and Spottiswoode, the work stands as one of Mauriac's most elegant and revealing prose achievements. Writing with the luminous precision that earned him the Nobel Prize for Literature in 1952, Mauriac argues that a life's truest biography is written not in deeds, but in the art one cherishes — a proposition that leaves the reader turning inward long after the final page is closed.
Author: François Mauriac
Format: Hardback
Genre: Essays
Condition remarks:
Condition: Good to fair. Jacket: good, worn/faded (refer to image). Page Condition: Good - possible tanning. Markings: possible previous owner inscription.
In Memoires Interieurs, Nobel Prize-winning French author François Mauriac crafts an intimate and deeply personal meditation on the books, music, and art that shaped his inner life — a literary self-portrait drawn not from autobiography, but from the works he loved. Rather than chronicling external events, Mauriac uncovers the spiritual and intellectual contours of his soul through reflections on Pascal, Racine, Baudelaire, and other towering figures of French culture, presenting a mosaic of a deeply Catholic sensibility grappling with beauty, faith, and mortality. Translated into English by Gerard Hopkins and published by London's distinguished Eyre and Spottiswoode, the work stands as one of Mauriac's most elegant and revealing prose achievements. Writing with the luminous precision that earned him the Nobel Prize for Literature in 1952, Mauriac argues that a life's truest biography is written not in deeds, but in the art one cherishes — a proposition that leaves the reader turning inward long after the final page is closed.