Waiting For Godot: A Tragicomedy In Two Acts
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Condition: Good to fair. Paperback. Page Condition: Good - possible tanning. Markings: possible previous owner inscription.
Few works of the twentieth century have so profoundly unsettled the certainties of dramatic form as Waiting for Godot. Two vagabonds, Vladimir and Estragon, stand beside a bare tree on a desolate country road, locked in an endless vigil for a mysterious figure named Godot who never arrives — their banter, bickering, and existential dread filling the void where plot and purpose once stood. Samuel Beckett's masterwork, first performed in Paris in 1953, shattered the conventions of Western theatre and announced the arrival of the Theatre of the Absurd with an authority that has never been eclipsed. Beckett's genius lies in his radical compression: stripping language, character, and setting to their barest essentials, he illuminates the human condition with devastating precision. The play chronicles the cyclical, repetitive nature of human hope — the stubborn insistence on waiting when all evidence suggests salvation will never come. Its influence reaches across disciplines, from philosophy and theology to postmodern literature and contemporary performance, and its central question — *why do we wait?* — remains as urgent and unanswered today as it ever was.
Author: Samuel Beckett
Format: Paperback
Genre: Plays
Condition remarks:
Condition: Good to fair. Paperback. Page Condition: Good - possible tanning. Markings: possible previous owner inscription.
Few works of the twentieth century have so profoundly unsettled the certainties of dramatic form as Waiting for Godot. Two vagabonds, Vladimir and Estragon, stand beside a bare tree on a desolate country road, locked in an endless vigil for a mysterious figure named Godot who never arrives — their banter, bickering, and existential dread filling the void where plot and purpose once stood. Samuel Beckett's masterwork, first performed in Paris in 1953, shattered the conventions of Western theatre and announced the arrival of the Theatre of the Absurd with an authority that has never been eclipsed. Beckett's genius lies in his radical compression: stripping language, character, and setting to their barest essentials, he illuminates the human condition with devastating precision. The play chronicles the cyclical, repetitive nature of human hope — the stubborn insistence on waiting when all evidence suggests salvation will never come. Its influence reaches across disciplines, from philosophy and theology to postmodern literature and contemporary performance, and its central question — *why do we wait?* — remains as urgent and unanswered today as it ever was.