The Strings Are False: An Unfinished Autobiography
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Condition: Good to fair. Paperback. Page Condition: Good - possible tanning. Markings: possible previous owner inscription.
Few poets of the twentieth century possessed the restless intellect and lyrical candour of Louis MacNeice, and The Strings Are False stands as his most intimate reckoning with that life. Left unfinished at the time of his death in 1963 and published posthumously, this autobiography chronicles MacNeice's formative years in Ireland, his education at Oxford, his friendships with the great literary figures of his era — Auden, Spender, and MacNeice's wider Thirties generation — and the turbulent emotional landscape that shaped his verse. Written with the same precision and emotional directness that distinguishes his poetry, the memoir presents a portrait of a man navigating personal loss, political upheaval, and artistic identity in an age of profound uncertainty. MacNeice writes with a poet's ear for rhythm and a journalist's eye for detail, investing autobiographical fact with the weight of elegy. The Strings Are False holds a significant place in the canon of twentieth-century literary memoir, offering not only a record of one remarkable life but an invaluable document of a generation that defined English-language modernism. For those who have long admired MacNeice's poetry, this autobiography raises the question that his verse always implies: how much of a life can truly be told?
Author: Louis Macneice
Format: Paperback
Published: 1996, Faber and Faber
Genre: Biography
Condition remarks:
Condition: Good to fair. Paperback. Page Condition: Good - possible tanning. Markings: possible previous owner inscription.
Few poets of the twentieth century possessed the restless intellect and lyrical candour of Louis MacNeice, and The Strings Are False stands as his most intimate reckoning with that life. Left unfinished at the time of his death in 1963 and published posthumously, this autobiography chronicles MacNeice's formative years in Ireland, his education at Oxford, his friendships with the great literary figures of his era — Auden, Spender, and MacNeice's wider Thirties generation — and the turbulent emotional landscape that shaped his verse. Written with the same precision and emotional directness that distinguishes his poetry, the memoir presents a portrait of a man navigating personal loss, political upheaval, and artistic identity in an age of profound uncertainty. MacNeice writes with a poet's ear for rhythm and a journalist's eye for detail, investing autobiographical fact with the weight of elegy. The Strings Are False holds a significant place in the canon of twentieth-century literary memoir, offering not only a record of one remarkable life but an invaluable document of a generation that defined English-language modernism. For those who have long admired MacNeice's poetry, this autobiography raises the question that his verse always implies: how much of a life can truly be told?