Britain In The Sixties: Communications
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Fair
Jacket: No dust jacket
Pages: Yellowed
Condition remarks: Condition as shown in image
At a pivotal moment in British cultural history, Raymond Williams issued a sharp and prescient intervention into the debates surrounding mass media, asking not merely what communications are, but what they could and should be. Communications — first published as part of the Britain in the Sixties Penguin Special series — presents a rigorous analysis of the press, television, film, radio, and advertising, dissecting the social and economic structures that controlled them in mid-twentieth-century Britain. Williams argues with characteristic clarity and conviction that the dominant institutions of communication were failing their audiences, serving commercial and class interests rather than the democratic potential of a genuinely open culture. A foundational text in the field of cultural studies, the work illustrates Williams's singular ability to unite Marxist social theory with a humanist concern for lived experience, establishing him as one of the most important intellectual voices of the twentieth century. His prose is measured yet urgent, combining scholarly rigour with a passionate belief in the transformative power of education and access to information. Decades on, his diagnosis of the tensions between public good and private profit in the media landscape feels not like a period document, but an eerily accurate blueprint for debates that continue to rage today — leaving the reader to wonder how little, in fact, has changed.
Author: Raymond Williams
Format: Paperback
Published: 1962, Penguin Books (Penguin Special)
Genre: Society & culture
Condition remarks:
Book: Fair
Jacket: No dust jacket
Pages: Yellowed
Condition remarks: Condition as shown in image
At a pivotal moment in British cultural history, Raymond Williams issued a sharp and prescient intervention into the debates surrounding mass media, asking not merely what communications are, but what they could and should be. Communications — first published as part of the Britain in the Sixties Penguin Special series — presents a rigorous analysis of the press, television, film, radio, and advertising, dissecting the social and economic structures that controlled them in mid-twentieth-century Britain. Williams argues with characteristic clarity and conviction that the dominant institutions of communication were failing their audiences, serving commercial and class interests rather than the democratic potential of a genuinely open culture. A foundational text in the field of cultural studies, the work illustrates Williams's singular ability to unite Marxist social theory with a humanist concern for lived experience, establishing him as one of the most important intellectual voices of the twentieth century. His prose is measured yet urgent, combining scholarly rigour with a passionate belief in the transformative power of education and access to information. Decades on, his diagnosis of the tensions between public good and private profit in the media landscape feels not like a period document, but an eerily accurate blueprint for debates that continue to rage today — leaving the reader to wonder how little, in fact, has changed.