Deadline
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: Very good
Pages: Tanning and foxing
Behind every screaming headline lies a story that the public never fully sees — and Deadline by Alan Dower tears back the curtain on the raw, unfiltered world of crime reporting, where journalists chased murderers, disasters, and scandals through the fog of mid-twentieth century Britain. Drawing on his years as a seasoned Fleet Street correspondent, Dower chronicles the most gripping and harrowing assignments of his career, reconstructing scenes of sudden death, criminal investigation, and human tragedy with the sharp, unsentimental eye of a man who has seen it all. The book presents a vivid mosaic of real-life cases — pieced together like the newspaper cuttings and photographs that adorn its cover — each one a testament to the brutal intersection of crime, justice, and the relentless pressure of the press deadline. Dower's writing carries the breathless urgency of a final edition rolling off the presses, blending memoir with true crime narrative in a style that is both journalistic and deeply personal. Deadline stands as a compelling document of an era when reporters were the first witnesses to history's darkest moments, and the moral weight of that role is never far from the page. For anyone fascinated by the mechanics of crime journalism, the golden age of the British press, or the cold reality behind the sensational headlines, this account raises one haunting question: what does it cost a man to spend a lifetime staring into the abyss?
Author: Alan Dower
Format: Hardback
Genre: True crime
Condition remarks:
Book: Good
Jacket: Very good
Pages: Tanning and foxing
Behind every screaming headline lies a story that the public never fully sees — and Deadline by Alan Dower tears back the curtain on the raw, unfiltered world of crime reporting, where journalists chased murderers, disasters, and scandals through the fog of mid-twentieth century Britain. Drawing on his years as a seasoned Fleet Street correspondent, Dower chronicles the most gripping and harrowing assignments of his career, reconstructing scenes of sudden death, criminal investigation, and human tragedy with the sharp, unsentimental eye of a man who has seen it all. The book presents a vivid mosaic of real-life cases — pieced together like the newspaper cuttings and photographs that adorn its cover — each one a testament to the brutal intersection of crime, justice, and the relentless pressure of the press deadline. Dower's writing carries the breathless urgency of a final edition rolling off the presses, blending memoir with true crime narrative in a style that is both journalistic and deeply personal. Deadline stands as a compelling document of an era when reporters were the first witnesses to history's darkest moments, and the moral weight of that role is never far from the page. For anyone fascinated by the mechanics of crime journalism, the golden age of the British press, or the cold reality behind the sensational headlines, this account raises one haunting question: what does it cost a man to spend a lifetime staring into the abyss?