The Mechanical Eye: A History Of Australian Photography
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
The Mechanical Eye: A History of Australian Photography stands as a definitive chronicle of how the camera transformed the way a young nation saw itself, capturing the rugged landscapes, pioneering faces, and sprawling colonial cities of Australia through the unblinking lens of photographic history. From the earliest daguerreotypes of the 1840s to the maturing artistry of the twentieth century, the work maps the full arc of a medium that was at once a scientific marvel and a profound cultural force, documenting the lives of settlers, Indigenous Australians, and the vast, untamed continent they inhabited. The book argues that photography in Australia was never merely a technical exercise but a deeply social act — shaping national identity, recording the passage of time, and bearing witness to moments both monumental and intimate. With scholarly rigour and an eye for the evocative image, it presents the stories behind the photographers and their subjects, illuminating the interplay between art, commerce, and documentary truth. For anyone captivated by the power of a single image to arrest a fleeting moment for eternity, this is an indispensable volume that raises a compelling question: who, in the end, controls the narrative of a nation — the subject, or the eye behind the lens?
Author: Con Tanre
Format: Paperback
Genre: Photography
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
The Mechanical Eye: A History of Australian Photography stands as a definitive chronicle of how the camera transformed the way a young nation saw itself, capturing the rugged landscapes, pioneering faces, and sprawling colonial cities of Australia through the unblinking lens of photographic history. From the earliest daguerreotypes of the 1840s to the maturing artistry of the twentieth century, the work maps the full arc of a medium that was at once a scientific marvel and a profound cultural force, documenting the lives of settlers, Indigenous Australians, and the vast, untamed continent they inhabited. The book argues that photography in Australia was never merely a technical exercise but a deeply social act — shaping national identity, recording the passage of time, and bearing witness to moments both monumental and intimate. With scholarly rigour and an eye for the evocative image, it presents the stories behind the photographers and their subjects, illuminating the interplay between art, commerce, and documentary truth. For anyone captivated by the power of a single image to arrest a fleeting moment for eternity, this is an indispensable volume that raises a compelling question: who, in the end, controls the narrative of a nation — the subject, or the eye behind the lens?