Picture
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Before the age of reality television and behind-the-scenes documentaries, Lillian Ross was already doing it better — and in print. Picture is a landmark work of narrative journalism that chronicles the turbulent production of John Huston's 1951 film adaptation of Stephen Crane's The Red Badge of Courage, offering a razor-sharp, fly-on-the-wall account of Hollywood at the height of its studio-system glory and dysfunction. Ross, a staff writer for *The New Yorker*, secured extraordinary access to the MGM lot, capturing the creative clashes, executive meddling, and artistic compromises that defined — and nearly destroyed — Huston's ambitious vision. A masterclass in literary non-fiction, Picture stands as one of the earliest and most celebrated examples of immersive journalism applied to the world of cinema, drawing comparisons to the best of Tom Wolfe and Joan Didion in its unflinching precision. Ross writes with cool, observational authority, allowing her subjects to reveal themselves through dialogue and action rather than authorial judgment — a technique that is both disarmingly simple and devastatingly effective. The result is a portrait not just of one film's making, but of an entire industry's soul laid bare; a portrait that leaves the reader wondering how much, if anything, has truly changed.
Author: Lillian Ross
Format: Paperback
Genre: Movies & entertainment
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Before the age of reality television and behind-the-scenes documentaries, Lillian Ross was already doing it better — and in print. Picture is a landmark work of narrative journalism that chronicles the turbulent production of John Huston's 1951 film adaptation of Stephen Crane's The Red Badge of Courage, offering a razor-sharp, fly-on-the-wall account of Hollywood at the height of its studio-system glory and dysfunction. Ross, a staff writer for *The New Yorker*, secured extraordinary access to the MGM lot, capturing the creative clashes, executive meddling, and artistic compromises that defined — and nearly destroyed — Huston's ambitious vision. A masterclass in literary non-fiction, Picture stands as one of the earliest and most celebrated examples of immersive journalism applied to the world of cinema, drawing comparisons to the best of Tom Wolfe and Joan Didion in its unflinching precision. Ross writes with cool, observational authority, allowing her subjects to reveal themselves through dialogue and action rather than authorial judgment — a technique that is both disarmingly simple and devastatingly effective. The result is a portrait not just of one film's making, but of an entire industry's soul laid bare; a portrait that leaves the reader wondering how much, if anything, has truly changed.