Swastika At War: A Photographic Record Of The War In Europe As Seen By The Cameramen Of The German Magazine Signal
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Swastika at War presents one of the most visceral and unfiltered photographic chronicles of the Second World War in Europe, drawn exclusively from the archives of *Signal* — the Nazi regime's own propaganda magazine, which at its peak reached a circulation of over two million copies across occupied and neutral territories. Curated by picture editor Robert Hunt and contextualised by historian Tom Hartman, this compelling volume assembles a remarkable trove of frontline imagery captured by the Wehrmacht's embedded cameramen, documenting the sweep of German military campaigns from the blitzkrieg advances of the early war years to the grinding attritional battles of the Eastern Front. What distinguishes this collection from conventional war photography anthologies is its deeply paradoxical nature: images conceived as instruments of propaganda become, in retrospect, extraordinary historical documents that illuminate both the terrifying machinery of modern warfare and the ideological apparatus that drove it. Hartman's accompanying text cuts through the original propagandistic intent, providing sharp, authoritative commentary that reframes these photographs as evidence rather than glorification. The result is a work of profound historical significance — one that forces the reader to confront the seductive power of wartime imagery and ask who truly controls the narrative of conflict.
Author: Tom Hartman
Format: Paperback
Genre: WW2
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Swastika at War presents one of the most visceral and unfiltered photographic chronicles of the Second World War in Europe, drawn exclusively from the archives of *Signal* — the Nazi regime's own propaganda magazine, which at its peak reached a circulation of over two million copies across occupied and neutral territories. Curated by picture editor Robert Hunt and contextualised by historian Tom Hartman, this compelling volume assembles a remarkable trove of frontline imagery captured by the Wehrmacht's embedded cameramen, documenting the sweep of German military campaigns from the blitzkrieg advances of the early war years to the grinding attritional battles of the Eastern Front. What distinguishes this collection from conventional war photography anthologies is its deeply paradoxical nature: images conceived as instruments of propaganda become, in retrospect, extraordinary historical documents that illuminate both the terrifying machinery of modern warfare and the ideological apparatus that drove it. Hartman's accompanying text cuts through the original propagandistic intent, providing sharp, authoritative commentary that reframes these photographs as evidence rather than glorification. The result is a work of profound historical significance — one that forces the reader to confront the seductive power of wartime imagery and ask who truly controls the narrative of conflict.